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Today's Stichomancy for Vin Diesel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lesser Hippias by Plato:

fathering his works on Plato; and to the forger or imitator, the 'literary hack' of Alexandria and Athens, the Gods did not grant originality or genius. Further, in attempting to balance the evidence for and against a Platonic dialogue, we must not forget that the form of the Platonic writing was common to several of his contemporaries. Aeschines, Euclid, Phaedo, Antisthenes, and in the next generation Aristotle, are all said to have composed dialogues; and mistakes of names are very likely to have occurred. Greek literature in the third century before Christ was almost as voluminous as our own, and without the safeguards of regular publication, or printing, or binding, or even of distinct titles. An unknown writing was naturally attributed to a known writer whose works bore the same

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

toward me with a strange look in his eyes, and whispering quickly. "The men all swore they wouldn't stay any longer; the man on watch early in the morning gave the alarm, and they all put off in the boat and got a little way out to sea. Those folks, or whatever they were, come about 'em like bats; all at once they raised incessant armies, and come as if to drive 'em back to sea. They stood thick at the edge o' the water like the ridges o' grim war; no thought o' flight, none of retreat. Sometimes a standing fight, then soaring on main wing tormented all the air. And when they'd got the boat out o' reach o' danger, Gaffett said they looked back, and there was the town again, standing up just as they'd seen it

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

Never having found a chance to send this off, I may add more of my news. My cold took a very bad turn, and I am pretty much out of sorts at this particular, living in a little bare one-twentieth- furnished house, surrounded by mangoes, etc. All the rest are well, and I mean to be soon. But these Taiti colds are very severe and, to children, often fatal; so they were not the thing for me. Yesterday the brigantine came in from San Francisco, so we can get our letters off soon. There are in Papeete at this moment, in a little wooden house with grated verandahs, two people who love you very much, and one of them is

ROBERT LOUIS STEVENSON.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tapestried Chamber by Walter Scott:

of a stranger's visit, when, leaving the vicinity of the park, he rolled through a clean and well-paved street, and stopped at the door of a well-frequented inn.

Before ordering horses, to proceed on his journey, General Browne made inquiries concerning the proprietor of the chateau which had so attracted his admiration, and was equally surprised and pleased at hearing in reply a nobleman named, whom we shall call Lord Woodville. How fortunate! Much of Browne's early recollections, both at school and at college, had been connected with young Woodville, whom, by a few questions, he now ascertained to be the same with the owner of this fair domain.