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Today's Stichomancy for Vincent Van Gogh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bureaucracy by Honore de Balzac:

staircase.

"Good heavens! that man, without his glasses, must look funny enough in a dressing-gown!" thought Celestine, "but the harpoon is in his back and he'll tow me where I want to go; I am sure now of that invitation. He has played his part in my comedy."

When, at five o'clock in the afternoon, Rabourdin came home to dress for dinner, his wife presided at his toilet and presently laid before him the fatal memorandum which, like the slipper in the Arabian Nights, the luckless man was fated to meet at every turn.

"Who gave you that?" he asked, thunderstruck.

"Monsieur des Lupeaulx."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Edition of The Ambassadors by Henry James:

"I only found you out. It was you who found me in. It was all in the day's work for them, at all events, that they should come. And they've greatly enjoyed it," Strether declared.

"Well, I've tried to make them," said Chad.

His companion did himself presently the same justice. "So have I. I tried even this very morning--while Mrs. Pocock was with me. She enjoys for instance, almost as much as anything else, not being, as I've said, afraid of me; and I think I gave her help in that."

Chad took a deeper interest. "Was she very very nasty?"

Strether debated. "Well, she was the most important thing--she was definite. She was--at last--crystalline. And I felt no remorse.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Statesman by Plato:

will embrace every species of property with the exception of animals,--but these have been already included in the art of tending herds. There remains only the class of slaves or ministers, among whom I expect that the real rivals of the king will be discovered. I am not speaking of the veritable slave bought with money, nor of the hireling who lets himself out for service, nor of the trader or merchant, who at best can only lay claim to economical and not to royal science. Nor am I referring to government officials, such as heralds and scribes, for these are only the servants of the rulers, and not the rulers themselves. I admit that there may be something strange in any servants pretending to be masters, but I hardly think that I could have been wrong in supposing that the principal


Statesman
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Two Poets by Honore de Balzac:

songs are like seeds that must break into blossom in other hearts wherever they find the soil prepared by personal experience. How can you express unless you first have felt? And is not passion suffering. Poetry is only brought forth after painful wanderings in the vast regions of thought and life. There are men and women in books, who seem more really alive to us than men and women who have lived and died--Richardson's Clarissa, Chenier's Camille, the Delia of Tibullus, Ariosto's Angelica, Dante's Francesca, Moliere's Alceste, Beaumarchais' Figaro, Scott's Rebecca the Jewess, the Don Quixote of Cervantes,--do we not owe these deathless creations to immortal throes?"