| The first excerpt represents the past or something you must release, and is drawn from Facino Cane by Honore de Balzac: Bride and bridegroom exchanged salutes to the general satisfaction,
amid a chorus of facetious "Oh, ohs!" and "Ah, ahs!" less really
indecent than the furtive glances of young girls that have been well
brought up. There was something indescribably infectious about the
rough, homely enjoyment in all countenances.
But neither the faces, nor the wedding, nor the wedding-guests have
anything to do with my story. Simply bear them in mind as the odd
setting to it. Try to realize the scene, the shabby red-painted
wineshop, the smell of wine, the yells of merriment; try to feel that
you are really in the faubourg, among old people, working men and poor
women giving themselves up to a night's enjoyment.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Beast in the Jungle by Henry James: circled about it at a distance that alternately narrowed and
widened and that still wasn't much affected by the consciousness in
him that there was nothing she could "know," after all, any better
than he did. She had no source of knowledge he hadn't equally--
except of course that she might have finer nerves. That was what
women had where they were interested; they made out things, where
people were concerned, that the people often couldn't have made out
for themselves. Their nerves, their sensibility, their
imagination, were conductors and revealers, and the beauty of May
Bartram was in particular that she had given herself so to his
case. He felt in these days what, oddly enough, he had never felt
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The third excerpt represents the future or something you must embrace, and is drawn from The Great God Pan by Arthur Machen: ago, some of them half torn, and some crumpled as if they had
been used for packing. I turned the whole pile over, and
amongst them I found a curious drawing; I will show it to you
presently. But I couldn't stay in the room; I felt it was
overpowering me. I was thankful to come out, safe and sound,
into the open air. People stared at me as I walked along the
street, and one man said I was drunk. I was staggering about
from one side of the pavement to the other, and it was as much
as I could do to take the key back to the agent and get home. I
was in bed for a week, suffering from what my doctor called
nervous shock and exhaustion. One of those days I was reading
 The Great God Pan |