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Today's Stichomancy for Vincent Van Gogh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from De Profundis by Oscar Wilde:

I must say to myself that I ruined myself, and that nobody great or small can be ruined except by his own hand. I am quite ready to say so. I am trying to say so, though they may not think it at the present moment. This pitiless indictment I bring without pity against myself. Terrible as was what the world did to me, what I did to myself was far more terrible still.

I was a man who stood in symbolic relations to the art and culture of my age. I had realised this for myself at the very dawn of my manhood, and had forced my age to realise it afterwards. Few men hold such a position in their own lifetime, and have it so acknowledged. It is usually discerned, if discerned at all, by the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Wyoming by William MacLeod Raine:

complexion matching his hair. "Y'u talk a heap with your mouth. Nobody believes a word of what y'u say."

Denver relaxed into a range song by way of repartee:

"I want mighty bad to be married, To have a garden and a home; I ce'tainly aim to git married, And have a gyurl for my own."

"Aw! Y'u fresh guys make me tired. Y'u don't devil me a bit, not a bit. Whyfor should I care what y'u say? I guess this outfit ain't got no surcingle on me." Nevertheless, he made a hurried end of his breakfast and flung out of the tent.

"Y'u boys hadn't ought to wound Reddy's tender feelings, and him so bent on matrimony!" said Denver innocently. "Get a move on

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Love and Friendship by Jane Austen:

ourselves. In spite of this Defect (or rather by reason of it) there is something very noble and majestic in the figures of the Miss Lesleys, and something agreably lively in the appearance of their pretty little Mother-in-law. But tho' one may be majestic and the other lively, yet the faces of neither possess that Bewitching sweetness of my Eloisas, which her present languor is so far from diminushing. What would my Husband and Brother say of us, if they knew all the fine things I have been saying to you in this letter. It is very hard that a pretty woman is never to be told she is so by any one of her own sex without that person's being suspected to be either her determined Enemy, or her


Love and Friendship
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secret Sharer by Joseph Conrad:

dropped out of my gaping mouth with a tiny plop and a short hiss quite audible in the absolute stillness of all things under heaven. At that I suppose he raised up his face, a dimly pale oval in the shadow of the ship's side. But even then I could only barely make out down there the shape of his black-haired head. However, it was enough for the horrid, frost-bound sensation which had gripped me about the chest to pass off. The moment of vain exclamations was past, too. I only climbed on the spare spar and leaned over the rail as far as I could, to bring my eyes nearer to that mystery floating alongside.

As he hung by the ladder, like a resting swimmer, the sea


The Secret Sharer