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Today's Stichomancy for Vincent Van Gogh

The first excerpt represents the past or something you must release, and is drawn from Facino Cane by Honore de Balzac:

Bride and bridegroom exchanged salutes to the general satisfaction, amid a chorus of facetious "Oh, ohs!" and "Ah, ahs!" less really indecent than the furtive glances of young girls that have been well brought up. There was something indescribably infectious about the rough, homely enjoyment in all countenances.

But neither the faces, nor the wedding, nor the wedding-guests have anything to do with my story. Simply bear them in mind as the odd setting to it. Try to realize the scene, the shabby red-painted wineshop, the smell of wine, the yells of merriment; try to feel that you are really in the faubourg, among old people, working men and poor women giving themselves up to a night's enjoyment.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Beast in the Jungle by Henry James:

circled about it at a distance that alternately narrowed and widened and that still wasn't much affected by the consciousness in him that there was nothing she could "know," after all, any better than he did. She had no source of knowledge he hadn't equally-- except of course that she might have finer nerves. That was what women had where they were interested; they made out things, where people were concerned, that the people often couldn't have made out for themselves. Their nerves, their sensibility, their imagination, were conductors and revealers, and the beauty of May Bartram was in particular that she had given herself so to his case. He felt in these days what, oddly enough, he had never felt

The third excerpt represents the future or something you must embrace, and is drawn from The Great God Pan by Arthur Machen:

ago, some of them half torn, and some crumpled as if they had been used for packing. I turned the whole pile over, and amongst them I found a curious drawing; I will show it to you presently. But I couldn't stay in the room; I felt it was overpowering me. I was thankful to come out, safe and sound, into the open air. People stared at me as I walked along the street, and one man said I was drunk. I was staggering about from one side of the pavement to the other, and it was as much as I could do to take the key back to the agent and get home. I was in bed for a week, suffering from what my doctor called nervous shock and exhaustion. One of those days I was reading


The Great God Pan