| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Don Quixote by Miquel de Cervantes: lashes on account of Dulcinea's disenchantment score; and this I
entreat of thee, making it a request, for I have no desire to come
to grips with thee a second time, as I know thou hast a heavy hand. As
soon as thou hast laid them on we will pass the rest of the night, I
singing my separation, thou thy constancy, making a beginning at
once with the pastoral life we are to follow at our village."
"Senor," replied Sancho, "I'm no monk to get up out of the middle of
my sleep and scourge myself, nor does it seem to me that one can
pass from one extreme of the pain of whipping to the other of music.
Will your worship let me sleep, and not worry me about whipping
myself? or you'll make me swear never to touch a hair of my doublet,
Don Quixote |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Maid Marian by Thomas Love Peacock: and put the poor knight to a great deal of unnecessary pain
by making as long a business as possible of extracting the arrow,
which he had not accomplished when Matilda, approaching, extracted it
with great facility, and bound up the wound with her scarf,
saying, "I reclaim my arrow, sir knight, which struck where I
aimed it, to admonish you to desist from your enterprise.
I could as easily have lodged it in your heart."
"It did not need," said the knight, with rueful gallantry;
"you have lodged one there already."
"If you mean to say that you love me," said Matilda, "it is more than I
ever shall you: but if you will show your love by no further interfering
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Death of the Lion by Henry James: with it. The last evidence is that her maid did give it to his
lordship's valet. One would suppose it some thrilling number of
THE FAMILY BUDGET. Mrs. Wimbush, who's aware of the accident, is
much less agitated by it than she would doubtless be were she not
for the hour inevitably engrossed with Guy Walsingham."
Later in the day I informed my correspondent, for whom indeed I
kept a loose diary of the situation, that I had made the
acquaintance of this celebrity and that she was a pretty little
girl who wore her hair in what used to be called a crop. She
looked so juvenile and so innocent that if, as Mr. Morrow had
announced, she was resigned to the larger latitude, her superiority
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ballads by Robert Louis Stevenson: Rua the child of the dirt, Rua the kinless loon.
For him shall the drum be beat, for him be raised the song,
For him to the sacred High-place the chaunting people throng,
For him the oven smoke as for a speechless beast,
And the sire of my Taheia come greedy to the feast."
"Rua, be silent, spare me. Taheia closes her ears.
Pity my yearning heart, pity my girlish years!
Flee from the cruel hands, flee from the knife and coal,
Lie hid in the deeps of the woods, Rua, sire of my soul!"
"Whither to flee, Taheia, whither in all of the land?
The fires of the bloody kitchen are kindled on every hand;
Ballads |
