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Today's Stichomancy for Vladimir Putin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Vision Splendid by William MacLeod Raine:

imagination seized upon most eagerly. He saw the silent massing of troops, the stealthy advance through the woods; and he heard the blood-curdling rebel yell as the line swept forward from cover like a tidal wave, with his father at its head.

Captain Chunn was puzzled at the coldness with which Mr. Webber listened to his explanation of what had taken place. The school principal fell back doggedly upon one fact. It would not have happened if Jeff had not been playing truant. Therefore he was to blame for what had occurred.

Nothing would be done, of course, without a thorough investigation.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Importance of Being Earnest by Oscar Wilde:

you do become engaged to some one, I, or your father, should his health permit him, will inform you of the fact. An engagement should come on a young girl as a surprise, pleasant or unpleasant, as the case may be. It is hardly a matter that she could be allowed to arrange for herself . . . And now I have a few questions to put to you, Mr. Worthing. While I am making these inquiries, you, Gwendolen, will wait for me below in the carriage.

GWENDOLEN. [Reproachfully.] Mamma!

LADY BRACKNELL. In the carriage, Gwendolen! [GWENDOLEN goes to the door. She and JACK blow kisses to each other behind LADY BRACKNELL'S back. LADY BRACKNELL looks vaguely about as if she

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Human Drift by Jack London:

building?

FITZSIMMONS. Not a soul. Only you and I.

MAUD. [Starting hurriedly toward door.] Then I must go.

FITZSIMMONS. What's your hurry? Sing.

MAUD. [Turning back with new resolve.] Let me see you punch the bag,--er--Bob.

FITZSIMMONS. You sing first.

MAUD. No; you punch first.

FITZSIMMONS. I don't believe you are Harry -

MAUD. [Hastily.] All right, I'll sing. You sit down over there and turn your back.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Little Britain by Washington Irving:

the last comet over the heads of his customers and disciples until they were nearly frightened out of their wits. He has lately got hold of a popular legend or prophecy, on which he has been unusually eloquent. There has been a saying current among the ancient sibyls, who treasure up these things, that when the grasshopper on the top of the Exchange shook hands with the dragon on the top of Bow Church Steeple, fearful events would take place. This strange conjunction, it seems, has as strangely come to pass. The same architect has been engaged lately on the repairs of the cupola of the Exchange, and the steeple of Bow church; and, fearful to relate, the dragon and