| The first excerpt represents the past or something you must release, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs: and peered down the village street toward the village gate.
The natives were not yet in sight, though he could plainly
hear them approaching across the plantation. They must be
very near.
Like a flash he sprang across the opening to the pile of arrows.
Gathering up all he could carry under one arm, he overturned
the seething cauldron with a kick, and disappeared into
the foliage above just as the first of the returning natives
entered the gate at the far end of the village street. Then he
turned to watch the proceeding below, poised like some wild
bird ready to take swift wing at the first sign of danger.
 Tarzan of the Apes |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Odyssey by Homer: in from the women's room and woke Penelope with the sound of
their talking.
"What an exquisitely delicious sleep I have been having," said
she, as she passed her hands over her face, "in spite of all my
misery. I wish Diana would let me die so sweetly now at this
very moment, that I might no longer waste in despair for the
loss of my dear husband, who possessed every kind of good
quality and was the most distinguished man among the Achaeans."
With these words she came down from her upper room, not alone
but attended by two of her maidens, and when she reached the
suitors she stood by one of the bearing-posts supporting the
 The Odyssey |
The third excerpt represents the future or something you must embrace, and is drawn from Glasses by Henry James: had failed; he had taken her when she herself had done so. His
embarrassed eyes confessed it all, confessed the deep peace he
found in it. They only didn't tell me why he had not written to
me, nor clear up as yet a minor obscurity. Flora after a while
again lifted the glass from the ledge of the box and elegantly
swept the house with it. Then, by the mere instinct of her grace,
a motion but half conscious, she inclined her head into the void
with the sketch of a salute, producing, I could see, a perfect
imitation of response to some homage. Dawling and I looked at each
other again; the tears came into his eyes. She was playing at
perfection still, and her misfortune only simplified the process.
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