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Today's Stichomancy for Walt Disney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Master and Man by Leo Tolstoy:

happening in this world but in the next. When he heard the peasants shouting as they dug him out and rolled the frozen body of Vasili Andreevich from off him, he was at first surprised that in the other world peasants should be shouting in the same old way and had the same kind of body, and then when he realized that he was still in this world he was sorry rather than glad, especially when he found that the toes on both his feet were frozen.

Nikita lay in hospital for two months. They cut off three of his toes, but the others recovered so that he was still able to work and went on living for another twenty years, first as a


Master and Man
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Charmides by Plato:

agility and quickness, is noblest and best?

Yes, certainly.

And is temperance a good?

Yes.

Then, in reference to the body, not quietness, but quickness will be the higher degree of temperance, if temperance is a good?

True, he said.

And which, I said, is better--facility in learning, or difficulty in learning?

Facility.

Yes, I said; and facility in learning is learning quickly, and difficulty

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

and involved a peculiar treatment of perspective, but had an artistic force that moved us profoundly, notwithstanding the intervening gulf of vast geologic periods. Their method of design hinged on a singular juxtaposition of the cross section with the two-dimensional silhouette, and embodied an analytical psychology beyond that of any known race of antiquity. It is useless to try to compare this art with any represented in our museums. Those who see our photographs will probably find its closest analogue in certain grotesque conceptions of the most daring futurists. The arabesque tracery consisted altogether of depressed lines, whose depth on


At the Mountains of Madness
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Touchstone by Edith Wharton:

reflection on it.

He answered with a discouraged gesture. "What was the use? We couldn't have talked."

"Not as well as here," she assented; adding, after a meditative pause, "As you didn't come I talked to Aunt Virginia instead."

"Ah!" he returned, the fact being hardly striking enough to detach him from the contemplation of her hands, which had fallen, as was their wont, into an attitude full of plastic possibilities. One felt them to be hands that, moving only to some purpose, were capable of intervals of serene inaction.

"We had a long talk," Miss Trent went on; and she waited again