| The first excerpt represents the past or something you must release, and is drawn from Tess of the d'Urbervilles, A Pure Woman by Thomas Hardy: above her head. Dim, flattened, constrained by their
confinement, they had never appealed to her as now,
when they wandered in the still air with a stark
quality like that of nudity. To speak absolutely, both
instrument and execution were poor; but the relative is
all, and as she listened Tess, like a fascinated bird,
could not leave the spot. Far from leaving she drew up
towards the performer, keeping behind the hedge that he
might not guess her presence.
The outskirt of the garden in which Tess found herself
had been left uncultivated for some years, and was now
 Tess of the d'Urbervilles, A Pure Woman |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Catherine de Medici by Honore de Balzac: agreed to be present.
Public curiosity was stimulated from Paris to Nantes by the means
adopted on this occasion. The execution was announced from all pulpits
by the rectors of the churches, while at the same time they gave
thanks for the victory of the king over the heretics. Three handsome
balconies, the middle one more sumptuous than the other two, were
built against the terrace of the chateau of Amboise, at the foot of
which the executions were appointed to take place. Around the open
square, stagings were erected, and these were filled with an immense
crowd of people attracted by the wide-spread notoriety given to this
"act of faith." Ten thousand persons camped in the adjoining fields
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The third excerpt represents the future or something you must embrace, and is drawn from Gambara by Honore de Balzac: "And here," said Gambara, sadly, "there is one of those wretched
ballets, which interrupt the thread of the finest musical tragedies!
But Mahomet elevates it once more by his great prophetic scene, which
poor Monsieur Voltaire begins with these words:
"Arabia's time at last has come!
"He is interrupted by a chorus of triumphant Arabs (twelve-eight time,
/accelerando/). The tribes arrive in crowds; the horns and brass
reappear in the orchestra. General rejoicings ensue, all the voices
joining in by degrees, and Mahomet announces polygamy. In the midst of
all this triumph, the woman who has been of such faithful service to
Mahomet sings a magnificent air (in B major). 'And I,' says she, 'am I
 Gambara |