| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Commission in Lunacy by Honore de Balzac: The common words were spoken in a common voice, broken by the wheezing
of asthma, and ending in a cough.
"When I go through a damp place, I can't tell you what I suffer, sir.
I shall never make old bones, saving your presence. However, here I
am."
The lawyer was quite amazed at the appearance of this supposed
Marechale d'Ancre. Madame Jeanrenaud's face was pitted with an
infinite number of little holes, was very red, with a pug nose and a
low forehead, and was as round as a ball; for everything about the
good woman was round. She had the bright eyes of a country woman, an
honest gaze, a cheerful tone, and chestnut hair held in place by a
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot: <>
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M
_____
/ \ - C_
/ \|| - _
| || - _
A|- - - - - - -||B- - - - - -_-+(> (Eye)
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\ /||_ -
 Flatland: A Romance of Many Dimensions |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from La Grenadiere by Honore de Balzac: about him spoke as plainly of robust, physical health as his broad,
high brow, with its gracious curves, spoke of energy of character. He
was quick and alert in his movements, and strong of limb, without a
trace of awkwardness. Nothing took him unawares, and he seemed to
think about everything that he saw.
Marie-Gaston, the other child, had hair that was almost golden, though
a lock here and there had deepened to the mother's chestnut tint.
Marie-Gaston was slender; he had the delicate features and the subtle
grace so charming in Mme. Willemsens. He did not look strong. There
was a gentle look in his gray eyes; his face was pale, there was
something feminine about the child. He still wore his hair in long,
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain: workin' en she had a roasted tater, en tried to slip it to me--
robbin' herself, you see, 'ca'se she knowed de overseer didn't
give me enough to eat--en he ketched her at it, en giver her a
lick acrost de back wid his stick, which 'uz as thick as a broom handle,
en she drop' screamin' on de groun', en squirmin' en
wallerin' aroun' in de dust like a spider dat's got crippled.
I couldn't stan' it. All de hellfire dat 'uz ever in my heart
flame' up, en I snatch de stick outen his han' en laid him flat.
He laid dah moanin' en cussin', en all out of his head, you know,
en de niggers 'uz plumb sk'yred to death. Dey gathered roun' him
to he'p him, en I jumped on his hoss en took out for de river as
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