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Today's Stichomancy for Wassily Kandinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Garden Party by Katherine Mansfield:

You can't go yet," she said imploringly. "You can't possibly go away feeling like that." And she stared up at him frowning, biting her lip.

"Oh, that's all right," said Reggie, giving himself a shake. "I'll... I'll--" And he waved his hand as much to say "get over it."

"But this is awful," said Anne. She clasped her hands and stood in front of him. "Surely you do see how fatal it would be for us to marry, don't you?"

"Oh, quite, quite," said Reggie, looking at her with haggard eyes.

"How wrong, how wicked, feeling as I do. I mean, it's all very well for Mr. and Mrs. Dove. But imagine that in real life--imagine it!"

"Oh, absolutely," said Reggie, and he started to walk on. But again Anne

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Last War: A World Set Free by H. G. Wells:

sheath of varied and even incompatible possibilities, a palimpsest of inherited dispositions. It was the habit of many writers in the early twentieth century to speak of competition and the narrow, private life of trade and saving and suspicious isolation as though such things were in some exceptional way proper to the human constitution, and as though openness of mind and a preference for achievement over possession were abnormal and rather unsubstantial qualities. How wrong that was the history of the decades immediately following the establishment of the world republic witnesses. Once the world was released from the hardening insecurities of a needless struggle for life that


The Last War: A World Set Free
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from King Lear by William Shakespeare:

bitter to the best of our times; keeps our fortunes from us till our oldness cannot relish them. I begin to find an idle and fond bondage in the oppression of aged tyranny, who sways, not as it hath power, but as it is suffer'd. Come to me, that of this I may speak more. If our father would sleep till I wak'd him, you should enjoy half his revenue for ever, and live the beloved of your brother, 'EDGAR.'


King Lear
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Glimpses of the Moon by Edith Wharton:

like a wan Nereid in a midnight sea. "You mustn't believe a word that Ursula Gillow tells you about having pounced on his 'Spring Snow Storm' in a dark corner of the American Artists' exhibition--skied, if you please! They skied him less than a year ago! And naturally Ursula never in her life looked higher than the first line at a picture-show. And now she actually pretends ... oh, for pity's sake don't say it doesn't matter, Fulmer! Your saying that just encourages her, and makes people think she did. When, in reality, any one who saw me at the exhibition on varnishing-day .... Who? Well, Eddy Breckenridge, for instance. He was in Egypt, you say? Perhaps