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Today's Stichomancy for Wassily Kandinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Anthem by Ayn Rand:

good for all; and so all men must be happy.

Yet as we stand at night in the great hall, removing our garments for sleep, we look upon our brothers and we wonder. The heads of our brothers are bowed. The eyes of our brothers are dull, and never do they look one another in the eyes. The shoulders of our brothers are hunched, and their muscles are drawn, as if their bodies were shrinking and wished to shrink out of sight. And a word steals into our mind, as we look


Anthem
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Rape of Lucrece by William Shakespeare:

For kings like gods should govern every thing.

'How will thy shame be seeded in thine age, When thus thy vices bud before thy spring! If in thy hope thou dar'st do such outrage, What dar'st thou not when once thou art a king! O, be remember'd, no outrageous thing From vassal actors can he wip'd away; Then kings' misdeeds cannot be hid in clay.

'This deed will make thee only lov'd for fear, But happy monarchs still are fear'd for love: With foul offenders thou perforce must bear,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Princess by Alfred Tennyson:

To harm the thing that trusts him, and to shame That which he says he loves: for Cyril, howe'er He deal in frolic, as tonight--the song Might have been worse and sinned in grosser lips Beyond all pardon--as it is, I hold These flashes on the surface are not he. He has a solid base of temperament: But as the waterlily starts and slides Upon the level in little puffs of wind, Though anchored to the bottom, such is he.'

Scarce had I ceased when from a tamarisk near

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson:

in their excursions: it is enough that age can attain ease. To me the world has lost its novelty. I look round, and see what I remember to have seen in happier days. I rest against a tree, and consider that in the same shade I once disputed upon the annual overflow of the Nile with a friend who is now silent in the grave. I cast my eyes upwards, fix them on the changing moon, and think with pain on the vicissitudes of life. I have ceased to take much delight in physical truth; for what have I to do with those things which I am soon to leave?"

"You may at least recreate yourself," said Imlac, "with the recollection of an honourable and useful life, and enjoy the praise