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Today's Stichomancy for Wassily Kandinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tono Bungay by H. G. Wells:

quite the best thing that could have happened. It drove swiftly over the sandy dunes, lifting and falling, and was hidden by a clump of windbitten trees. Then it reappeared much further off, and still receding. It soared for a time, and sank slowly, and after that I saw it no more. I suppose it fell into the sea and got wetted with salt water and heavy, and so became deflated and sank.

It was never found, and there was never a report of anyone seeing it after it escaped from me.

VI

But if I find it hard to tell the story of our long flight

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Bunner Sisters by Edith Wharton:

feet, accustomed to the slippered ease of the shop, ached with the unfamiliar effort of walking, and her ears with the din of the dress-maker's anecdotes; but every nerve in her was aware of Evelina's enjoyment, and she was determined that no weariness of hers should curtail it. Yet even her heroism shrank from the significant glances which Miss Mellins presently began to cast at the couple in front of them: Ann Eliza could bear to connive at Evelina's bliss, but not to acknowledge it to others.

At length Evelina's feet also failed her, and she turned to suggest that they ought to be going home. Her flushed face had grown pale with fatigue, but her eyes were radiant.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Maria, or the Wrongs of Woman by Mary Wollstonecraft:

my narrative--yet the full heart will overflow.

"Mr. Venables' embarrassments did not now endear him to me; still, anxious to befriend him, I endeavoured to prevail on him to retrench his expences; but he had always some plausible excuse to give, to justify his not following my advice. Humanity, compassion, and the interest produced by a habit of living together, made me try to relieve, and sympathize with him; but, when I recollected that I was bound to live with such a being for ever--my heart died within me; my desire of improvement became languid, and baleful, corroding melancholy took possession of my soul. Marriage had bastilled me for life. I discovered in myself a capacity for the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Roads of Destiny by O. Henry:

er--a lady in the case. In absolute confidence, now--if--perhaps--

Sister Felicite's large eyes regarded him solemnly.

"There was one woman," she said, slowly, "to whom he bowed--to whom he gave his heart."

Robbins fumbled rapturously for his pencil.

"Behold the woman!" said Sister Felicite, suddenly, in deep tones.

She reached a long arm and swept aside the curtain of the alcove. In there was a shrine, lit to a glow of soft colour by the light pouring through a stained-glass window. Within a deep niche in the bare stone wall stood an image of the Virgin Mary, the colour of pure gold.

Dumars, a conventional Catholic, succumbed to the dramatic in the act.