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Today's Stichomancy for Wassily Kandinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

part of the swamp in the rear of the grove, where the weeds were very tall; for Carmen was afraid some snake might bite the child.

But Chita's bird-bright eye had discerned a gleam of white in that direction; and she wanted to know what it was. The white could only be seen from one point, behind the furthest house, where the ground was high. "Never go there," said Carmen; "there is a Dead Man there,--will bite you!" And yet, one day, while Carmen was unusually busy, Chita went there.

In the early days of the settlement, a Spanish fisherman had died; and his comrades had built him a little tomb with the surplus of the same bricks and other material brought down the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Plain Tales from the Hills by Rudyard Kipling:

this particular--she never moved a finger to attract any one; but, like Ninon de l'Enclos, all men were attracted to her. One could admire and respect Mrs. Hauksbee, despise and avoid Mrs. Reiver, but one was forced to adore the Venus Annodomini.

"Very Young" Gayerson's papa held a Division or a Collectorate or something administrative in a particularly unpleasant part of Bengal--full of Babus who edited newspapers proving that "Young" Gayerson was a "Nero" and a "Scylla" and a "Charybdis"; and, in addition to the Babus, there was a good deal of dysentery and cholera abroad for nine months of the year. "Young" Gayerson--he was about five and forty--rather liked Babus, they amused him, but

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Herland by Charlotte Gilman:

She smiled a quiet enigmatic smile. "That depends."

"Depends on what?"

"Mainly on yourselves," she replied.

"Why do you keep us shut up so closely?"

"Because we do not feel quite safe in allowing you at large where there are so many young women."

Terry was really pleased at that. He had thought as much, inwardly; but he pushed the question. "Why should you be afraid? We are gentlemen."

She smiled that little smile again, and asked: "Are `gentlemen' always safe?"


Herland
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Vicar of Tours by Honore de Balzac:

statue on a tomb; she leaning against the blind door. Both seemed to be gazing at him and counting his steps. Nothing is so embarrassing to a creature naturally timid as to feel itself the object of a close examination, and if that is made by the eyes of hatred, the sort of suffering it causes is changed into intolerable martyrdom.

Presently Birotteau fancied he was preventing Mademoiselle Gamard and the abbe from walking in the narrow path. That idea, inspired equally by fear and kindness, became so strong that he left the garden and went to the church, thinking no longer of his canonry, so absorbed was he by the disheartening tyranny of the old maid. Luckily for him he happened to find much to do at Saint-Gatien,--several funerals, a