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Today's Stichomancy for Werner Heisenberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Man that Corrupted Hadleyburg by Mark Twain:

Mrs. Wilcox and noticed the placid ecstasy in her face, he said to himself, "Her cat has had kittens"--and went and asked the cook; it was not so, the cook had detected the happiness, but did not know the cause. When Halliday found the duplicate ecstasy in the face of "Shadbelly" Billson (village nickname), he was sure some neighbour of Billson's had broken his leg, but inquiry showed that this had not happened. The subdued ecstasy in Gregory Yates's face could mean but one thing--he was a mother-in-law short; it was another mistake. "And Pinkerton--Pinkerton--he has collected ten cents that he thought he was going to lose." And so on, and so on. In some cases the guesses had to remain in doubt, in the others they proved


The Man that Corrupted Hadleyburg
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Montezuma's Daughter by H. Rider Haggard:

started on the quest, but they did not find her that before morning was far on her way across the sea.

So soon as they had galloped away I called together the grooms and other serving men and told them what had chanced. Then we went with lanterns, for by now it was dark, and came to the thick brushwood where lay the body of my mother. I drew near the first, for the men were afraid, and so indeed was I, though why I should fear her lying dead who living had loved me tenderly, I do not know. Yet I know this, that when I came to the spot and saw two eyes glowering at me and heard the crash of bushes as something broke them, I could almost have fallen with fear, although I knew


Montezuma's Daughter
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Susan by Jane Austen:

was impossible to take her anywhere else, and she is not to remain here long. "It will be absolutely necessary," said she, "as you, my dear sister, must be sensible, to treat my daughter with some severity while she is here; a most painful necessity, but I will ENDEAVOUR to submit to it. I am afraid I have often been too indulgent, but my poor Frederica's temper could never bear opposition well: you must support and encourage me; you must urge the necessity of reproof if you see me too lenient." All this sounds very reasonable. Reginald is so incensed against the poor silly girl. Surely it is not to Lady Susan's credit that he should be so bitter against her daughter; his idea of her must be drawn from the mother's description. Well, whatever may be his fate, we have the comfort of knowing


Lady Susan
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hidden Masterpiece by Honore de Balzac:

from the window in the roof, which fell full on the pale face of Porbus and on the ivory skull of his singular visitor.

The attention of the young man was taken exclusively by a picture destined to become famous after those days of tumult and revolution, and which even then was precious in the sight of certain opinionated individuals to whom we owe the preservation of the divine afflatus through the dark days when the life of art was in jeopardy. This noble picture represents the Mary of Egypt as she prepares to pay for her passage by the ship. It is a masterpiece, painted for Marie de Medicis, and afterwards sold by her in the days of her distress.

"I like your saint," said the old man to Porbus, "and I will give you