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Today's Stichomancy for Wes Craven

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Extracts From Adam's Diary by Mark Twain:

kangaroo that I was convinced it had never seen one before. I pity the poor noisy little animal, but there is nothing I can do to make it happy. If I could tame it--but that is out of the question; the more I try, the worse I seem to make it. It grieves me to the heart to see it in its little storms of sorrow and passion. I wanted to let it go, but she wouldn't hear of it. That seemed cruel and not like her; and yet she may be right. It might be lonelier than ever; for since I cannot find another one, how could it?

Five Months Later

It is not a kangaroo. No, for it supports itself by holding to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Soul of the Far East by Percival Lowell:

Custom has so far fettered fancy that even the wish to communicate has vanished. He has now nothing to tell; she needs no ear to hear. For she is not his love; she is only his wife,--what is left of a romance when the romance is left out. Worse still, she never was anything else. He has not so much as a memory of her, for he did not marry her for love; he may not love of his own accord, nor for the matter of that does he wish to do so. If by some mischance he should so far forget to forget himself, it were much better for him had he not done so, for the choice of a bride is not his, nor of a bridegroom hers. Marriage to a Far Oriental is the most important mercantile transaction of his whole life. It is, therefore, far too

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Twilight Land by Howard Pyle:

took from off his finger a splendid ruby ring, as red as blood and as bright as fire, and popped the same into his pocket. And all the while the serving-man stood gaping like a fish to see what his comrade was about. "Come," said the travelling companion, "it is time we were going," and off they went, shutting the door behind them.

As for the serving-man, though he remembered his promise and said nothing concerning what he had beheld, his wits buzzed in his head like a hive of bees, for he thought that of all the ugly tricks he had seen, none was more ugly than this--to bewitch the poor sorrowful young man into a sleep, and then to rob him of his

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Touchstone by Edith Wharton:

seemed no more than a gay tent pitched against the sunshine. It had the crispness of a freshly starched summer gown, and the geraniums on the veranda bloomed as simultaneously as the flowers in a bonnet. The garden was prospering absurdly. Seed they had sown at random--amid laughing counter-charges of incompetence--had shot up in fragrant defiance of their blunders. He smiled to see the clematis unfolding its punctual wings about the porch. The tiny lawn was smooth as a shaven cheek, and a crimson rambler mounted to the nursery-window of a baby who never cried. A breeze shook the awning above the tea-table, and his wife, as he drew near, could be seen bending above a kettle that was just about to