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Today's Stichomancy for Will Smith

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mountains by Stewart Edward White:

and you are thinking of fifty pleasant things you might just as well be doing.

Next you revel in grease,--lard oil, if you have it; if not, then lard, or the product of boiled brains. This you must rub into the skin. You rub it in until you suspect that your finger-nails have worn away, and you glisten to the elbows like an Eskimo cutting blubber.

By the merciful arrangement of those who invented buckskin, this entitles you to a rest. You take it--for several days--until your conscience

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from All's Well That Ends Well by William Shakespeare:

have a new mistress.

PAROLLES. I most unfeignedly beseech your lordship to make some reservation of your wrongs: he is my good lord: whom I serve above is my master.

LAFEU. Who? God?

PAROLLES. Ay, sir.

LAFEU. The devil it is that's thy master. Why dost thou garter up thy

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Two Noble Kinsmen by William Shakespeare:

What ending could be Of more content? ore us the victors have Fortune, whose title is as momentary, As to us death is certaine: A graine of honour They not ore'-weigh us.

2. KNIGHT.

Let us bid farewell; And with our patience anger tottring Fortune, Who at her certain'st reeles.

3. KNIGHT.

Come; who begins?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Republic by Plato:

whereby all men should have and enjoy equal portions of riches and commodities. For the wise men did easily foresee this to be the one and only way to the wealth of a community, if equality of all things should be brought in and established' (Utopia).). We wonder how in the reign of Henry VIII, though veiled in another language and published in a foreign country, such speculations could have been endured.

He is gifted with far greater dramatic invention than any one who succeeded him, with the exception of Swift. In the art of feigning he is a worthy disciple of Plato. Like him, starting from a small portion of fact, he founds his tale with admirable skill on a few lines in the Latin narrative of the voyages of Amerigo Vespucci. He is very precise about dates and


The Republic