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Today's Stichomancy for Will Smith

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Message by Honore de Balzac:

"But it was partly his own fault," the coachman said to me.

At La Charite, I executed the poor fellow's dying wishes. His mother was away from home, which in a manner was fortunate for me. Nevertheless, I had to assuage the grief of an old woman- servant, who staggered back at the tidings of her young master's death, and sank half-dead into a chair when she saw the blood- stained key. But I had another and more dreadful sorrow to think of, the sorrow of a woman who had lost her last love; so I left the old woman to her prosopopeia, and carried off the precious correspondence, carefully sealed by my friend of the day.

The Countess' chateau was some eight leagues beyond Moulins, and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Duchess of Padua by Oscar Wilde:

a view of Padua by moonlight: a staircase (R.C.) leads up to a door with a portiere of crimson velvet, with the Duke's arms embroidered in gold on it: on the lowest step of the staircase a figure draped in black is sitting: the hall is lit by an iron cresset filled with burning tow: thunder and lightning outside: the time is night.

[Enter GUIDO through the window.]

GUIDO

The wind is rising: how my ladder shook! I thought that every gust would break the cords! [Looks out at the city.]

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In Darkest England and The Way Out by General William Booth:

no quack application, but will be generally taken up and quickly set in operation all round the world.

CHAPTER 8. A PRACTICAL CONCLUSION.

Throughout this book I have more constantly used the first personal pronoun than ever before in anything I have written. I have done this deliberately, not from egotism, but in order to make it more clearly manifest that here is a definite proposal made by an individual who is prepared, if the means are furnished him, to carry it out. At the same time I want it to be clearly understood that it is not in my own strength, nor at my own charge, that I purpose to embark upon this great undertaking. Unless God wills that I should work out the idea of


In Darkest England and The Way Out
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Child of Storm by H. Rider Haggard:

upon me. Although so little was said, I felt all the while that those few words were a veil hiding terrible events to be. I was sure that some dreadful scheme had been hatched between the old dwarf and Mameena whereof the issue would soon become apparent, and that he had sent me away in a hurry after he learned that she had told me nothing, because he feared lest I should stumble on its cue and perhaps cause it to fail.

At any rate, as I walked back to my wagons by moonlight down that dreadful gorge, the hot, thick air seemed to me to have a physical taste and smell of blood, and the dank foliage of the tropical trees that grew there, when now and again a puff of wind stirred them, moaned like the fabled imikovu, or as men might do in their last faint agony. The


Child of Storm