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Today's Stichomancy for Will Wright

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Collection of Antiquities by Honore de Balzac:

Du Croisier reflected. He seemed to be struggling with self-interest; Chesnel thought that he had gained a hold on his enemy through the great motive of human action. At that supreme moment Mme. du Croisier appeared.

"Come here and help me to soften your dear husband, madame?" said Chesnel, still on his knees. Mme. du Croisier made him rise with every sign of profound astonishment. Chesnel explained his errand; and when she knew it, the generous daughter of the intendants of the Ducs de Alencon turned to du Croisier with tears in her eyes.

"Ah! monsieur, can you hesitate? The d'Esgrignons, the honor of the province!" she said.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Young Forester by Zane Grey:

told him or father all that Dick had written about the wilderness of Penetier. I am afraid my mind was as much occupied with rifles and mustangs as with the study of forestry. But, though the adventure called most strongly to me, I knew I was sincere about the forestry end of it, and I resolved that I would never slight my opportunities. So, smothering conscience, I fell to the delight of making plans. I was for breaking camp at once, but Hal persuaded me to stay one more day. We talked for hours. Only one thing bothered me. Hal was jolly and glum by turns. He reveled in the plans for my outfit, but he wanted his own chance. A thousand times I had to repeat my promise, and the last thing he said before we slept was: "Ken, you're going to ring me in next summer!"


The Young Forester
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

cruel miasmas into stuffy back-kitchens where there is little air, realize that, apart from this pestilence, the forty thousand houses of this great city have their foundations in filth, which the powers that be have not yet seriously attempted to enclose with mortar walls solid enough to prevent even the most fetid mud from filtering through the soil, poisoning the wells, and maintaining subterraneously to Lutetia the tradition of her celebrated name. Half of Paris sleeps amidst the putrid exhalations of courts and streets and sewers. But let us turn to the vast saloons, gilded and airy; the hotels in their gardens, the rich, indolent, happy moneyed world. There the faces are lined and scarred with vanity. There nothing is real. To seek for pleasure is it


The Girl with the Golden Eyes
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Phoenix and the Turtle by William Shakespeare:

Herald sad and trumpet be, To whose sound chaste wings obey.

But thou, shrieking harbinger, Foul pre-currer of the fiend, Augur of the fever's end, To this troop come thou not near.

From this session interdict Every fowl of tyrant wing, Save the eagle, feather'd king: Keep the obsequy so strict.

Let the priest in surplice white,