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Today's Stichomancy for William Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moby Dick by Herman Melville:

doors; indeed out of bed-clothes too, seeing that there was no fire in the room. The more so, I say, because truly to enjoy bodily warmth, some small part of you must be cold, for there is no quality in this world that is not what it is merely by contrast. Nothing exists in itself. If you flatter yourself that you are all over comfortable, and have been so a long time, then you cannot be said to be comfortable any more. But if, like Queequeg and me in the bed, the tip of your nose or the crown of your head be slightly chilled, why then, indeed, in the general consciousness you feel most delightfully and unmistakably warm. For this reason a sleeping apartment should never be furnished with a fire, which is one of the


Moby Dick
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Crito by Plato:

the hands of his enemies. Money is already provided by Crito as well as by Simmias and others, and he will have no difficulty in finding friends in Thessaly and other places.

Socrates is afraid that Crito is but pressing upon him the opinions of the many: whereas, all his life long he has followed the dictates of reason only and the opinion of the one wise or skilled man. There was a time when Crito himself had allowed the propriety of this. And although some one will say 'the many can kill us,' that makes no difference; but a good life, in other words, a just and honourable life, is alone to be valued. All considerations of loss of reputation or injury to his children should be dismissed: the only question is whether he would be right in attempting to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Maid Marian by Thomas Love Peacock:

to be the outward signs of the inward ferryman, shouted "Over!" with much strength and clearness; but no voice replied, and no ferryman appeared. Robin raised his voice, and shouted with redoubled energy, "Over, Over, O-o-o-over!" A faint echo alone responded "Over!" and again died away into deep silence: but after a brief interval a voice from among the willows, in a strange kind of mingled intonation that was half a shout and half a song, answered:

Over, over, over, jolly, jolly rover, Would you then come over? Over, over, over? Jolly, jolly rover, here's one lives in clover:

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Dunwich Horror by H. P. Lovecraft:

- what cursed shapeless influence on or off this three-dimensional earth - was Wilbur Whateley's father? Born on Candlemas - nine months after May Eve of 1912, when the talk about the queer earth noises reached clear to Arkham - what walked on the mountains that May night? What Roodmas horror fastened itself on the world in half-human flesh and blood?' During the ensuing weeks Dr Armitage set about to collect all possible data on Wilbur Whateley and the formless presences around Dunwich. He got in communication with Dr Houghton of Aylesbury, who had attended Old Whateley in his last illness, and found much to ponder over in the grandfather's


The Dunwich Horror