| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from La Grande Breteche by Honore de Balzac: eleven when I reached the chateau. I went up the great staircase.
After crossing some large, lofty, dark rooms, diabolically cold and
damp, I reached the state bedroom where the Countess lay. From the
rumors that were current concerning this lady (monsieur, I should
never end if I were to repeat all the tales that were told about her),
I had imagined her a coquette. Imagine, then, that I had great
difficulty in seeing her in the great bed where she was lying. To be
sure, to light this enormous room, with old-fashioned heavy cornices,
and so thick with dust that merely to see it was enough to make you
sneeze, she had only an old Argand lamp. Ah! but you have not been to
Merret. Well, the bed is one of those old world beds, with a high
 La Grande Breteche |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from What is Man? by Mark Twain: his TEMPERAMENT--which he did not create and had no authority
over. For the TEMPERAMENT is the man; the thing tricked out with
clothes and named Man is merely its Shadow, nothing more. The
law of the tiger's temperament is, Thou shalt kill; the law of
the sheep's temperament is Thou shalt not kill. To issue later
commands requiring the tiger to let the fat stranger alone, and
requiring the sheep to imbue its hands in the blood of the lion
is not worth while, for those commands CAN'T be obeyed. They
would invite to violations of the law of TEMPERAMENT, which is
supreme, and take precedence of all other authorities. I cannot
help feeling disappointed in Adam and Eve. That is, in their
 What is Man? |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from American Notes by Rudyard Kipling: fifteen dollars."
And papa and I crawled down to the Yellowstone--just above the
first little fall--to wet a line for good luck. The round moon
came up and turned the cliffs and pines into silver; and a
two-pound trout came up also, and we slew him among the rocks,
nearly tumbling into that wild river.
. . . . . .
Then out and away to Livingstone once more. The maiden from New
Hampshire disappeared, papa and mamma with her. Disappeared,
too, the old lady from Chicago, and the others.
V
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri: Forth from his limbs unsheath'd. O power divine!
If thou to me of shine impart so much,
That of that happy realm the shadow'd form
Trac'd in my thoughts I may set forth to view,
Thou shalt behold me of thy favour'd tree
Come to the foot, and crown myself with leaves;
For to that honour thou, and my high theme
Will fit me. If but seldom, mighty Sire!
To grace his triumph gathers thence a wreath
Caesar or bard (more shame for human wills
Deprav'd) joy to the Delphic god must spring
 The Divine Comedy (translated by H.F. Cary) |