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Today's Stichomancy for William Shakespeare

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Pocket Diary Found in the Snow by Grace Isabel Colbron and Augusta Groner:

low ceilings and many dark corners.

The woman led Muller into the room in which she had cared for the strange lady at the order of the latter's "husband." He had told her that it was only until he could take the lady to an asylum. One look at the wall paper, a glance out of the window, and Muller knew that this was where Asta Langen had been imprisoned. He sat down on a chair and looked at the woman, who stood frightened before him.

"Do you know where they have taken the lady?"

"No, sir.

"Do you know the gentleman's name?"

"No, sir.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs:

for his encounter with the apes, and the distant notes of the savage voices of Numa the lion, and Sheeta, the panther, warned him that his was to be no life of indolent ease and security.

It was but a return to the old existence of constant bloodshed and danger--to the hunting and the being hunted. Grim beasts would stalk him, as they had stalked him in the past, and never would there be a moment, by savage day or by cruel night, that he might not have instant need of such crude weapons as he could fashion from the materials at hand.

Upon the shore he found an out-cropping of brittle, igneous rock. By dint of much labour he managed to chip off a narrow sliver some


The Beasts of Tarzan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Octopus by Frank Norris:

lamp and, punching up his pillow, settled himself for the night.

Then, as his mind relaxed in that strange, hypnotic condition that comes just before sleep, a series of pictures of the day's doings passed before his imagination like the roll of a kinetoscope.

First, it was Hilma Tree, as he had seen her in the dairy-house-- charming, delicious, radiant of youth, her thick, white neck with its pale amber shadows under the chin; her wide, open eyes rimmed with fine, black lashes; the deep swell of her breast and hips, the delicate, lustrous floss on her cheek, impalpable as the pollen of a flower. He saw her standing there in the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Case of the Registered Letter by Grace Isabel Colbron and Augusta Groner:

a bit of paper to be found anywhere, no letters, no business papers, except bank books showing the amount of his securities in the bank in G- and in Grunau, and giving facts about some investments in Chicago. There was nothing of more recent date and no personal correspondence whatever. The same was true of the pockets of the suit Siders had been wearing at the time of his death. A man of any property or position at all in the world gathers about him so much of this kind of material that its absence shows premeditation. The suit Siders had been wearing when he was killed was lying on the table in the room. It was a plain grey business suit of good cut and material. The body had been prepared for burial in a