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Today's Stichomancy for Woody Allen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Concerning Christian Liberty by Martin Luther:

great name, and was prepared to keep silence, and to accept as my judge either the Archbishop of Treves, or the Bishop of Naumburg; and thus it was done and concluded. While this was being done with good hope of success, lo! that other and greater enemy of yours, Eccius, rushed in with his Leipsic disputation, which he had undertaken against Carlstadt, and, having taken up a new question concerning the primacy of the Pope, turned his arms unexpectedly against me, and completely overthrew the plan for peace. Meanwhile Charles Miltitz was waiting, disputations were held, judges were being chosen, but no decision was arrived at. And no wonder! for by the falsehoods, pretences, and arts of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

productions of the ancients, and the author has been termed the last of the fathers of the church. It is uncertain whether they were not delivered originally in the French tongue.

That the part he acts in the present Poem should be assigned to him. appears somewhat remarkable, when we consider that he severely censured the new festival established in honour of the Immaculate Conception of the virgin, and opposed the doctrine itself with the greatest vigour, as it supposed her being honoured with a privilegewhich belonged to Christ Alone Dr. Maclaine's Mosheim, v. iii. cent. xii. p. ii. c. 3 - 19.

v. 95. Our Veronica ] The holy handkerchief, then preserved at


The Divine Comedy (translated by H.F. Cary)
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Some Reminiscences by Joseph Conrad:

hundred and sixty bunks for emigrants were put together in the 'tween decks by industrious carpenters while we lay in the Victoria Dock, but never an emigrant turned up in Rouen--of which, being a humane person, I confess I was glad. Some gentlemen from Paris--I think there were three of them, and one was said to be the Chairman--turned up indeed and went from end to end of the ship, knocking their silk hats cruelly against the deck-beams. I attended them personally, and I can vouch for it that the interest they took in things was intelligent enough, though, obviously, they had never seen anything of the sort before. Their faces as they went ashore wore a cheerfully


Some Reminiscences
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Rescue by Joseph Conrad:

The tide has turned. Ya, Tuan. The tide has turned."

Lingard looked downward where the water could be seen, gliding past the ship's side, moving smoothly, streaked with lines of froth, across the illumined circle thrown round the brig by the lights on her poop. Air bubbles sparkled, lines of darkness, ripples of glitter appeared, glided, went astern without a splash, without a trickle, without a plaint, without a break. The unchecked gentleness of the flow captured the eye by a subtle spell, fastened insidiously upon the mind a disturbing sense of the irretrievable. The ebbing of the sea athwart the lonely sheen of flames resembled the eternal ebb-tide of time; and when at


The Rescue