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Today's Stichomancy for Woody Allen

The first excerpt represents the past or something you must release, and is drawn from Don Quixote by Miquel de Cervantes:

some other carry off the thanks and rewards of my trouble."

"For my part," said the barber, "I give my word here and before God that I will not repeat what your worship says, to King, Rook or earthly man- an oath I learned from the ballad of the curate, who, in the prelude, told the king of the thief who had robbed him of the hundred gold crowns and his pacing mule."

"I am not versed in stories," said Don Quixote; "but I know the oath is a good one, because I know the barber to be an honest fellow."

"Even if he were not," said the curate, "I will go bail and answer for him that in this matter he will be as silent as a dummy, under pain of paying any penalty that may be pronounced."


Don Quixote
The second excerpt represents the present or the deciding factor of the moment, and is drawn from De Profundis by Oscar Wilde:

art. Charming people, such as fishermen, shepherds, ploughboys, peasants and the like, know nothing about art, and are the very salt of the earth. He is the Philistine who upholds and aids the heavy, cumbrous, blind, mechanical forces of society, and who does not recognise dynamic force when he meets it either in a man or a movement.

People thought it dreadful of me to have entertained at dinner the evil things of life, and to have found pleasure in their company. But then, from the point of view through which I, as an artist in life, approach them they were delightfully suggestive and stimulating. The danger was half the excitement. . . . My business

The third excerpt represents the future or something you must embrace, and is drawn from The Call of the Canyon by Zane Grey:

children, the light on the water, the warm sun--all seemed to reproach her. Carley fled from the Park to the home of Beatrice Lovell; and there, unhappily, she encountered those of her acquaintance with whom she had least patience. They forced her to think too keenly of herself. They appeared carefree while she was miserable.

Over teacups there were waging gossip and argument and criticism. When Carley entered with Beatrice there was a sudden hush and then a murmur.

"Hello, Carley! Now say it to our faces," called out Geralda Conners, a fair, handsome young woman of thirty, exquisitely gowned in the latest mode, and whose brilliantly tinted complexion was not the natural one of health.


The Call of the Canyon