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Today's Stichomancy for Woody Allen

The first excerpt represents the past or something you must release, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

(and he began to stand for more all the time) came under the lash of many tongues, until a frailer man than he would have been snowed under. "Don't you mind losing prestige?" asked Amory one night. They had taken to exchanging calls several times a week. "Of course I don't. What's prestige, at best?" "Some people say that you're just a rather original politician." He roared with laughter. "That's what Fred Sloane told me to-day. I suppose I have it coming." One afternoon they dipped into a subject that had interested


This Side of Paradise
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Under the Andes by Rex Stout:

"We've got to do something," he continued.

I suggested that it might be best to wait another hour or two.

"And why? Now is as good a time as any. If we intend to find Desiree--"

"In the name of Heaven, how can we?" I interrupted.

"You don't mean to say you don't intend to try?" he exclaimed.

"Hal, I don't know. In the first place, it's impossible. And where could we take her and what could we do--in short, what's the use? Why the deuce should we prolong the thing any further?

"In the world I refused to struggle because nothing tempted me; in this infernal hole I have fought when there was nothing to

The third excerpt represents the future or something you must embrace, and is drawn from Letters from England by Elizabeth Davis Bancroft:

may know what to expect if you ever undertake it; but first, I must sum it all up by saying that of all horrors, of all physical miseries, tortures, and distresses, a sea voyage is the greatest . . . The Liverpool paper this morning, after announcing our arrival says: "The GREAT WESTERn, notwithstanding she encountered throughout a series of most severe gales, accomplished the passage in sixteen days and twelve hours."

To begin at the moment I left New York: I was so absorbed by the pain of parting from you that I was in a state of complete apathy with regard to all about me. I did not sentimentalize about "the receding shores of my country;" I hardly looked at them, indeed.