| The first excerpt represents the past or something you must release, and is drawn from This Side of Paradise by F. Scott Fitzgerald: (and he began to stand for more all the time) came under the lash
of many tongues, until a frailer man than he would have been
snowed under.
"Don't you mind losing prestige?" asked Amory one night. They had
taken to exchanging calls several times a week.
"Of course I don't. What's prestige, at best?"
"Some people say that you're just a rather original politician."
He roared with laughter.
"That's what Fred Sloane told me to-day. I suppose I have it
coming."
One afternoon they dipped into a subject that had interested
 This Side of Paradise |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Under the Andes by Rex Stout: "We've got to do something," he continued.
I suggested that it might be best to wait another hour or two.
"And why? Now is as good a time as any. If we intend to find
Desiree--"
"In the name of Heaven, how can we?" I interrupted.
"You don't mean to say you don't intend to try?" he exclaimed.
"Hal, I don't know. In the first place, it's impossible. And
where could we take her and what could we do--in short, what's the
use? Why the deuce should we prolong the thing any further?
"In the world I refused to struggle because nothing tempted
me; in this infernal hole I have fought when there was nothing to
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The third excerpt represents the future or something you must embrace, and is drawn from Letters from England by Elizabeth Davis Bancroft: may know what to expect if you ever undertake it; but first, I must
sum it all up by saying that of all horrors, of all physical
miseries, tortures, and distresses, a sea voyage is the greatest . .
. The Liverpool paper this morning, after announcing our arrival
says: "The GREAT WESTERn, notwithstanding she encountered
throughout a series of most severe gales, accomplished the passage
in sixteen days and twelve hours."
To begin at the moment I left New York: I was so absorbed by the
pain of parting from you that I was in a state of complete apathy
with regard to all about me. I did not sentimentalize about "the
receding shores of my country;" I hardly looked at them, indeed.
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