| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Almayer's Folly by Joseph Conrad: ears preternaturally acute to any sound on the river. Several
nights in succession he had heard the splash of paddles and had
seen the indistinct form of a boat, but when hailing the shadowy
apparition, his heart bounding with sudden hope of hearing Dain's
voice, he was disappointed each time by the sulky answer
conveying to him the intelligence that the Arabs were on the
river, bound on a visit to the home-staying Lakamba. This caused
him many sleepless nights, spent in speculating upon the kind of
villainy those estimable personages were hatching now. At last,
when all hope seemed dead, he was overjoyed on hearing Dain's
voice; but Dain also appeared very anxious to see Lakamba, and
 Almayer's Folly |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ferragus by Honore de Balzac: "She was wrenched from me there by the fatal curiosity of that world
which excites itself and meddles solely for excitement and
occupation."
Twelve miles from where they were, on the banks of the Seine, in a
modest village lying on the slope of a hill of that long hilly basin
the middle of which great Paris stirs like a child in its cradle, a
death scene was taking place, far indeed removed from Parisian pomps,
with no accompaniment of torches or tapers or mourning-coaches,
without prayers of the Church, in short, a death in all simplicity.
Here are the facts: The body of a young girl was found early in the
morning, stranded on the river-bank in the slime and reeds of the
 Ferragus |