| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from To-morrow by Joseph Conrad: song says. It's all about a pretty girl that tried
hard to keep hold of a Gambucino lover, so that he
should bring her lots of gold. No fear! Off he
went, and she never saw him again."
"What became of her?" she breathed out.
"The song don't tell. Cried a bit, I daresay.
They were the fellows: kiss and go. But it's the
looking for a thing--a something . . . Sometimes
I think I am a sort of Gambucino myself."
"No woman can hold you, then," she began in
a brazen voice, which quavered suddenly before the
 To-morrow |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot: to breeding in all well-governed States, as far back as the memory
of Figures can reach. It is considered a disgrace to any State
that legislation should have to enforce what ought to be,
and is in every respectable female, a natural instinct.
The rhythmical and, if I may so say, well-modulated undulation
of the back in our ladies of Circular rank is envied and imitated
by the wife of a common Equilateral, who can achieve nothing beyond
a mere monotonous swing, like the ticking of a pendulum;
and the regular tick of the Equilateral is no less admired and copied
by the wife of the progressive and aspiring Isosceles,
in the females of whose family no "back-motion" of any kind
 Flatland: A Romance of Many Dimensions |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Through the Looking-Glass by Lewis Carroll: `But it may rain OUTSIDE?'
`It may--if it chooses,' said Tweedledee: `we've no
objection. Contrariwise.'
`Selfish things!' thought Alice, and she was just going to say
`Good-night' and leave them, when Tweedledum sprang out from
under the umbrella and seized her by the wrist.
`Do you see THAT?' he said, in a voice choking with passion,
and his eyes grew large and yellow all in a moment, as he pointed
with a trembling finger at a small white thing lying under the
tree.
`It's only a rattle,' Alice said, after a careful examination
 Through the Looking-Glass |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Arrow of Gold by Joseph Conrad: I shuddered to hear rising from the floor, by my side, a vibrating,
scornful: "Do! Why, slink off home looking over your shoulder as
you used to years ago when I had done with you - all but the
laughter."
"Rita," I murmured, appalled. He must have been struck dumb for a
moment. Then, goodness only knows why, in his dismay or rage he
was moved to speak in French with a most ridiculous accent.
"So you have found your tongue at last - CATIN! You were that from
the cradle. Don't you remember how . . ."
Dona Rita sprang to her feet at my side with a loud cry, "No,
George, no," which bewildered me completely. The suddenness, the
 The Arrow of Gold |