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Today's Stichomancy for Yoko Ono

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Vailima Letters by Robert Louis Stevenson:

this morning by lamplight and the glimmer of the dawn, and as soon as breakfast was over, I must turn to and tackle these despised labours! Some courage was necessary, but not wanting. There is one thing at least by which I can avenge myself for my drubbing, for on one point you seem impenetrably stupid. Can I find no form of words which will at last convey to your intelligence the fact that THESE LETTERS WERE NEVER MEANT, AND ARE NOT NOW MEANT, TO BE OTHER THAN A QUARRY OF MATERIALS FROM WHICH THE BOOK MAY BE DRAWN? There seems something incommunicable in this (to me) simple idea; I know Lloyd failed to comprehend it, I doubt if he has

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from What is Man? by Mark Twain:

expression of his views."

Lord Penzance speaks of Shakespeare's "perfect familiarity with not only the principles, axioms, and maxims, but the technicalities of English law, a knowledge so perfect and intimate that he was never incorrect and never at fault. . . . The mode in which this knowledge was pressed into service on all occasions to express his meaning and illustrate his thoughts was quite unexampled. He seems to have had a special pleasure in his complete and ready mastership of it in all its branches. As manifested in the plays, this legal knowledge and learning had therefore a special character which places it on a wholly


What is Man?
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

my own mount and took my place at his side to meet the charge of the howling devils bearing down upon us. A moment later Tars Tarkas and Xodar ranged themselves on either hand, turning their thoats loose that we might all be on an equal footing.

The Warhoons were perhaps a hundred yards from us when a loud explosion sounded from above and behind us, and almost at the same instant a shell burst in their advancing ranks. At once all was confusion. A hundred warriors toppled to the ground. Riderless thoats plunged hither and thither among the dead and dying. Dismounted warriors were


The Gods of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The House of Dust by Conrad Aiken:

Here on this sun-and-sea-wrecked shore? You shade your sea-gray eyes with a sunlit hand And peer at me . . . far sea-gulls, in your eyes, Flash in the sun, go down . . . I hear slow sand, And shrink to nothing beneath blue brilliant skies . . .

* * * * *

The music ends. The screen grows dark. We hurry To go our devious secret ways, forgetting Those many lives . . . We loved, we laughed, we killed, We danced in fire, we drowned in a whirl of sea-waves. The flutes are stilled, and a thousand dreams are stilled.