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Today's Stichomancy for Yoko Ono

The first excerpt represents the past or something you must release, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

fact, he had no such facilities--he had no comfortable family standing behind him, and he was liable at the whim of an impersonal government to be blown anywhere about the world.

But he didn't despise himself and it didn't turn out as he had imagined. He had intended, probably, to take what he could and go--but now he found that he had committed himself to the following of a grail. He knew that Daisy was extraordinary, but he didn't realize just how extraordinary a "nice" girl could be. She vanished into her rich house, into her rich, full life, leaving Gatsby--nothing. He felt married to her, that was all.

When they met again, two days later, it was Gatsby who was breathless,


The Great Gatsby
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Riverman by Stewart Edward White:

had seen done; only rarely did they ask for explanation of the work itself. That Newmark seemed capable of puzzling out for himself.

The drive, as has been said, went down as far as Redding in thirty- three days. It had its share of tribulation. The men worked fourteen and sixteen hours at times. Several bad jams relieved the monotony. Three dams had to be sluiced through. Problems of mechanics arose to be solved on the spot; problems that an older civilisation would have attacked deliberately and with due respect for the seriousness of the situation and the dignity of engineering. Orde solved them by a rough-and-ready but very effective rule of thumb. He built and abandoned structures which would have furnished

The third excerpt represents the future or something you must embrace, and is drawn from The Memorabilia by Xenophon:

chattels which need protection, the latter a sensitive and sensible being who can afford it; and what is more, he is himself alone, whilst as for them their name is legion. And here again is a marvellous thing: that a man should count his brother a loss, because the goods of his brother are not his; but he does not count his fellow-citizens loss, and yet their possessions are not his; only it seems in their case he has wits to see that to dwell securely with many and have enough is better than to own the whole wealth of a community and to live in dangerous isolation; but this same doctrine as applied to brothers they ignore. Again, if a man have the means, he will purchase domestic slaves, because he wants assistants in his work; he will


The Memorabilia