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Today's Stichomancy for Yoko Ono

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Message by Honore de Balzac:

there we found Juliette. With the instinct of despair, she had buried herself deep in the hay, hiding her face in it to deaden those dreadful cries--pudency even stronger than grief. She was sobbing and crying like a child, but there was a more poignant, more piteous sound in the sobs. There was nothing left in the world for her. The maid pulled the hay from her, her mistress submitting with the supine listlessness of a dying animal. The maid could find nothing to say but "There! madame; there, there----"

"What is the matter with her? What is it, niece?" the old canon kept on exclaiming.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adam Bede by George Eliot:

mostly folks whose eyes are not much use to 'em at anything else. For my part, I think it's better to see when your perpendicular's true than to see a ghost."

Such thoughts as these are apt to grow stronger and stronger as daylight quenches the candles and the birds begin to sing. By the time the red sunlight shone on the brass nails that formed the initials on the lid of the coffin, any lingering foreboding from the sound of the willow wand was merged in satisfaction that the work was done and the promise redeemed. There was no need to call Seth, for he was already moving overhead, and presently came downstairs.


Adam Bede
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

distinguished secret society to which she and Tom belonged.

Inside, the crimson room bloomed with light.

Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the SATURDAY EVENING POST.--the words, murmurous and uninflected, running together in a soothing tune. The lamp-light, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms.

When we came in she held us silent for a moment with a lifted hand.

"To be continued," she said, tossing the magazine on the table, "in our very next issue."


The Great Gatsby
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Child of Storm by H. Rider Haggard:

At this point I thought it well to wake up. Turning my head I yawned, opened my eyes and looked at her vaguely, seeing which her expression changed in a flash from that of brooding power to one of moved and anxious girlhood; in short, it became most sweetly feminine.

"You are Mameena?" I said; "is it not so?"

"Oh, yes, Inkoosi," she answered, "that is my poor name. But how did you hear it, and how do you know me?"

"I heard it from one Saduko"--here she frowned a little--"and others, and I knew you because you are so beautiful"--an incautious speech at which she broke into a dazzling smile and tossed her deer-like head.

"Am I?" she asked. "I never knew it, who am only a common Zulu girl to


Child of Storm