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Today's Stichomancy for Avril Lavigne

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ferragus by Honore de Balzac:

national guard, and drills and smokes; suddenly, it abandons military manoeuvres and flings away cigars; it is commercial, care-worn, falls into bankruptcy, sells its furniture on the place de Chatelet, files its schedule; but a few days later, lo! it has arranged its affairs and is giving fetes and dances. One day it eats barley-sugar by the mouthful, by the handful; yesterday it bought "papier Weymen"; to-day the monster's teeth ache, and it applies to its walls an alexipharmatic to mitigate their dampness; to-morrow it will lay in a provision of pectoral paste. It has its manias for the month, for the season, for the year, like its manias of a day.

So, at the moment of which we speak, all the world was building or


Ferragus
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Inland Voyage by Robert Louis Stevenson:

paddled any more. We met a man, a gentleman, on the tow-path, who was much interested in our cruise. And I was witness to a strange seizure of lying suffered by the CIGARETTE: who, because his knife came from Norway, narrated all sorts of adventures in that country, where he has never been. He was quite feverish at the end, and pleaded demoniacal possession.

Moy (pronounce Moy) was a pleasant little village, gathered round a chateau in a moat. The air was perfumed with hemp from neighbouring fields. At the Golden Sheep we found excellent entertainment. German shells from the siege of La Fere, Nurnberg figures, gold-fish in a bowl, and all manner of knick-knacks,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson:

which side soever they pressed him, escaped from them to some other topic.

As their familiarity increased, they invited him often to the house of Imlac, where they distinguished him by extraordinary respect. He began gradually to delight in sublunary pleasures. He came early and departed late; laboured to recommend himself by assiduity and compliance; excited their curiosity after new arts, that they might still want his assistance; and when they made any excursion of pleasure or inquiry, entreated to attend them.

By long experience of his integrity and wisdom, the Prince and his sister were convinced that he might be trusted without danger; and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Jungle Tales of Tarzan by Edgar Rice Burroughs:

But if Momaya could view with intrepid heart an excursion into the jungle and a visit to the fear-haunted abode of Bukawai, she was not likely to be deterred by threats of future punishment at the hands of old Mbonga, whom she secretly despised. Yet she appeared to accede to his injunctions, returning to her hut in silence.

She would have preferred starting upon her quest by day-light, but this was now out of the question, since she must carry food and a weapon of some sort--things which she never could pass out of the village with by day without being subjected to curious questioning


The Jungle Tales of Tarzan