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Today's Stichomancy for Carmen Electra

The first excerpt represents the past or something you must release, and is drawn from Shakespeare's Sonnets by William Shakespeare:

Tir'd with all these, from these would I be gone, Save that, to die, I leave my love alone.


Ah! wherefore with infection should he live, And with his presence grace impiety, That sin by him advantage should achieve, And lace itself with his society? Why should false painting imitate his cheek, And steel dead seeming of his living hue? Why should poor beauty indirectly seek Roses of shadow, since his rose is true?

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Garden Party by Katherine Mansfield:


"As if I should!" said Leila, tossing her small dark head and sucking her underlip...

Again the couples paraded. The swing doors opened and shut. Now new music was given out by the bandmaster. But Leila didn't want to dance any more. She wanted to be home, or sitting on the veranda listening to those baby owls. When she looked through the dark windows at the stars, they had long beams like wings...

But presently a soft, melting, ravishing tune began, and a young man with curly hair bowed before her. She would have to dance, out of politeness, until she could find Meg. Very stiffly she walked into the middle; very

The third excerpt represents the future or something you must embrace, and is drawn from The Symposium by Xenophon:

[41] Lit. "your legs are equal in weight with your shoulders." Cf. "Od." xviii. 373, {elikes . . . isophoroi boes}, "of equal age and force to bear the yoke."--Butcher and Lang.

[42] See Boeckh, "Public Economy of Athens," p. 48; Aristoph. "Acharn." 723; Lys. 165, 34.

Then Callias: O Socrates, do please invite me when you begin your dancing lessons. I will be your vis-a-vis,[43] and take lessons with you.

[43] Cf. "Anab." V. iv. 12.

Come on (the jester shouted), give us a tune upon the pipe, and let me show you how to dance.

The Symposium