The first excerpt represents the past or something you must release, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll: To let the wind come whistling through -
But HERE there'll be a lot to do!"
I faintly gasped "Indeed!
"If I 'd been rather later, I'll
Be bound," I added, trying
(Most unsuccessfully) to smile,
"You'd have been busy all this while,
Trimming and beautifying?"
"Why, no," said he; "perhaps I should
Have stayed another minute -
But still no Ghost, that's any good,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Aesop's Fables by Aesop: again. Then one of them stooped down to stroke it, but thc
Serpent raised its head and put out its fangs and was about to
sting the child to death. So the Woodman seized his axe, and with
one stroke cut the Serpent in two. "Ah," said he,
"No gratitude from the wicked."
The Bald Man and the Fly
There was once a Bald Man who sat down after work on a hot
summer's day. A Fly came up and kept buzzing about his bald pate,
and stinging him from time to time. The Man aimed a blow at his
little enemy, but acks palm came on his head instead;
again the Fly tormented him, but this time the Man was wiser and
Aesop's Fables |
The third excerpt represents the future or something you must embrace, and is drawn from Charmides by Plato: Republic (such is the shifting character of the Platonic philosophy) is
given as the definition, not of temperance, but of justice; (5) The
impatience which is exhibited by Socrates of any definition of temperance
in which an element of science or knowledge is not included; (6) The
beginning of metaphysics and logic implied in the two questions: whether
there can be a science of science, and whether the knowledge of what you
know is the same as the knowledge of what you do not know; and also in the
distinction between 'what you know' and 'that you know,' (Greek;) here too
is the first conception of an absolute self-determined science (the claims
of which, however, are disputed by Socrates, who asks cui bono?) as well as
the first suggestion of the difficulty of the abstract and concrete, and
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