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Today's Stichomancy for Christina Aguilera

The first excerpt represents the past or something you must release, and is drawn from A Modest Proposal by Jonathan Swift:

cottagers and labourers, with their wives and children, who are beggars in effect; I desire those politicians who dislike my overture, and may perhaps be so bold to attempt an answer, that they will first ask the parents of these mortals, whether they would not at this day think it a great happiness to have been sold for food at a year old, in the manner I prescribe, and thereby have avoided such a perpetual scene of misfortunes, as they have since gone through, by the oppression of landlords, the impossibility of paying rent without money or trade, the want of common sustenance, with neither house nor cloaths to cover them from the inclemencies of the weather, and the most inevitable


A Modest Proposal
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Of The Nature of Things by Lucretius:

Soft-speaking and Pierian, and, as 'twere, To touch it with sweet honey of the Muse- If by such method haply I might hold The mind of thee upon these lines of ours, Till thou see through the nature of all things, And how exists the interwoven frame. But since I've taught that bodies of matter, made Completely solid, hither and thither fly Forevermore unconquered through all time, Now come, and whether to the sum of them There be a limit or be none, for thee


Of The Nature of Things
The third excerpt represents the future or something you must embrace, and is drawn from Gambara by Honore de Balzac:

Spirit of Evil,--the monstrous ape who is perpetually employed in destroying the work of God,--if you can conceive of him as having, not indeed loved, but ravished, an almost divine woman, and achieved through her the joy of paternity; as so loving his son that he would rather have him eternally miserable with himself than think of him as eternally happy with God; if, finally, you can imagine the mother's soul for ever hovering over the child's head to snatch it from the atrocious temptations offered by its father,--even then you will have but a faint idea of this stupendous drama, which needs but little to make it worthy of comparison with Mozart's /Don Giovanni/. /Don Giovanni/ is in its perfection the greater, I grant; /Robert le


Gambara