Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Dick Cheney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift:

publish to the world, that the Cardinal de Noailles was still alive, notwithstanding the pretended prophecy of Monsieur Biquerstaffe: But how far a Frenchman, a papist, and an enemy is to be believed in his own case against an English Protestant, who is true to his government, I shall leave to the candid and impartial reader.

The other objection is the unhappy occasion of this discourse, and relates to an article in my predictions, which foretold the death of Mr. Partridge, to happen on March 29, 1708. This he is pleased to contradict absolutely in the almanack he has published for the present year, and in that ungentlemanly manner (pardon

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Love Songs by Sara Teasdale:


They came to tell your faults to me, They named them over one by one; I laughed aloud when they were done, I knew them all so well before, -- Oh, they were blind, too blind to see Your faults had made me love you more.

Buried Love

I have come to bury Love Beneath a tree, In the forest tall and black

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Heap O' Livin' by Edgar A. Guest:

On about 'em day by day, And I had no way of knowing What became of father's pay.

All I knew was when I needed Shoes I got 'em on the spot; Everything for which I pleaded, Somehow, father always got. Wondered, season after season, Why he never took a rest, And that _I_ might be the reason Then I never even guessed.

A Heap O' Livin'
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wrecker by Stevenson & Osbourne:

sure, if I could but choose my path, that I should walk in it with resolution.

Then I remembered that I had a friend on board, and stepped to the companion.

"Gentlemen," said I, "only a few moments more: but these, I regret to say, I must make more tedious still by removing your companion. It is indispensable that I should have a word or two with Captain Nares."

Both the smugglers were afoot at once, protesting. The business, they declared, must be despatched at once; they had run risk enough, with a conscience; and they must either finish