|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Several Works by Edgar Allan Poe:
unsteadily forward, while I followed immediately at his heels. In
an instant he had reached the extremity of the niche, and finding
his progress arrested by the rock, stood stupidly bewildered. A
moment more and I had fettered him to the granite. In its surface
were two iron staples, distant from each other about two feet,
horizontally. From one of these depended a short chain, from the
other a padlock. Throwing the links about his waist, it was but
the work of a few seconds to secure it. He was too much astounded
to resist. Withdrawing the key I stepped back from the recess.
"Pass your hand," I said, "over the wall; you cannot help
feeling the nitre. Indeed, it is very damp. Once more let me
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Louis Lambert by Honore de Balzac:
that my unbounded love could not make up for the dark hours of my
life--that I were doomed to remain such as I am?--Fatal doubts!
"Power is indeed a fatal possession if what I feel within me is
power. Pauline, go! Leave me, desert me! Sooner would I endure
every ill in life than endure the misery of knowing that you were
unhappy through me.
"But, perhaps, the demon has had such empire over me only because
I have had no gentle, white hands about me to drive him off. No
woman has ever shed on me the balm of her affection; and I know
not whether, if love should wave his pinions over my head in these
moments of exhaustion, new strength might not be given to my
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from New Arabian Nights by Robert Louis Stevenson:
to his vitals with a shock, and he faced about suddenly as if to
defend his life. Then, for the first time, he became aware of a
light about the level of his eyes and at some distance in the
interior of the house - a vertical thread of light, widening
towards the bottom, such as might escape between two wings of arras
over a doorway. To see anything was a relief to Denis; it was like
a piece of solid ground to a man labouring in a morass; his mind
seized upon it with avidity; and he stood staring at it and trying
to piece together some logical conception of his surroundings.
Plainly there was a flight of steps ascending from his own level to
that of this illuminated doorway; and indeed he thought he could
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry:
and, having ears, hear not, the things which so nearly concern their
temporal salvation? For my part, whatever anguish of spirit it may cost,
I am willing to know the whole truth; to know the worst, and to provide for it.
I have but one lamp by which my feet are guided, and that is the lamp of
experience. I know of no way of judging of the future but by the past.
And judging by the past, I wish to know what there has been in the conduct
of the British ministry for the last ten years to justify those hopes with
which gentlemen have been pleased to solace themselves and the House.
Is it that insidious smile with which our petition has been lately received?
Trust it not, sir; it will prove a snare to your feet. Suffer not yourselves
to be betrayed with a kiss. Ask yourselves how this gracious reception of our