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Today's Stichomancy for Eminem

The first excerpt represents the past or something you must release, and is drawn from The Brother of Daphne by Dornford Yates:

"I like you, too," she said.

We had a great meal. She didn't want to drink any champagne, but I persuaded her to take a little.

"And who's Berry?" she said, pushing back her chair.

"A mistake," said I. A great mistake. That's what he is."

She laughed.

"Who made him?"

"My sister. She married him, you see."

"Of course, I shall get confused in a moment."

"Well, things have got a move on in the last hour and a quarter, haven't they? I mean to say, at five o'clock you found a


The Brother of Daphne
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

against the levee, side by side,--like great weary swans. But the miniature steamboat on which you engage passage to the Gulf never lingers long in the Mississippi: she crosses the river, slips into some canal-mouth, labors along the artificial channel awhile, and then leaves it with a scream of joy, to puff her free way down many a league of heavily shadowed bayou. Perhaps thereafter she may bear you through the immense silence of drenched rice-fields, where the yellow-green level is broken at long intervals by the black silhouette of some irrigating machine;--but, whichever of the five different routes be pursued, you will find yourself more than once floating through sombre

The third excerpt represents the future or something you must embrace, and is drawn from Melmoth Reconciled by Honore de Balzac:

'Change. He was personally known to some of the brokers; and while affecting to be in search of an acquaintance, he managed to pick up the current gossip and rumors of failure.

"Catch me negotiating bills for Claparon & Co., my boy. The bank collector went round to return their acceptances to them this morning," said a fat banker in his outspoken way. "If you have any of their paper, look out."

Claparon was in the building, in deep consultation with a man well known for the ruinous rate at which he lent money. Castanier went forthwith in search of the said Claparon, a merchant who had a reputation for taking heavy risks that meant wealth or utter ruin. The