|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tom Sawyer Abroad by Mark Twain:
balloon and the bronze horse the same thing under
"No, they're not. One is a balloon and the other's
a horse. It's very different. Next you'll be saying a
house and a cow is the same thing."
"By Jackson, Huck's got him ag'in! Dey ain't no
wigglin' outer dat!"
"Shut your head, Jim; you don't know what you're
talking about. And Huck don't. Look here, Huck,
I'll make it plain to you, so you can understand. You
see, it ain't the mere FORM that's got anything to do
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Allan Quatermain by H. Rider Haggard:
had a slight difference of opinion about the coming ceremony.
He had flatly refused to celebrate it, or to allow any of his
priests to do so, whereupon Nyleptha became very angry and told
him that she, as Queen, was head of the Church, and meant to
be obeyed. Indeed, she played the part of a Zu-Vendi Henry the
Eighth to perfection, and insisted that, if she wanted to be
married, she would be married, and that he should marry her.
He still refused to go through the ceremony, so she clinched
her argument thus --
'Well, I cannot execute a High Priest, because there is an absurd
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Georgics by Virgil:
To speed thy herds of cattle to their loves,
Breed stock with stock, and keep the race supplied.
Ah! life's best hours are ever first to fly
From hapless mortals; in their place succeed
Disease and dolorous eld; till travail sore
And death unpitying sweep them from the scene.
Still will be some, whose form thou fain wouldst change;
Renew them still; with yearly choice of young
Preventing losses, lest too late thou rue.
Nor steeds crave less selection; but on those
Thou think'st to rear, the promise of their line,
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Human Drift by Jack London:
sympathetically familiar with the peculiar qualities of his boat
which differentiate it from every other boat that was ever built
and rigged. He must know how to gentle her about, as one instance
of a myriad, and to fill her on the other tack without deadening
her way or allowing her to fall off too far.
The deepwater sailor of to-day needs know none of these things.
And he doesn't. He pulls and hauls as he is ordered, swabs decks,
washes paint, and chips iron-rust. He knows nothing, and cares
less. Put him in a small boat and he is helpless. He will cut an
even better figure on the hurricane deck of a horse.
I shall never forget my child-astonishment when I first