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Today's Stichomancy for Fiona Apple

The first excerpt represents the past or something you must release, and is drawn from Rivers to the Sea by Sara Teasdale:

Laying out the dead, Bringing a child to birth-- The sorrow, the torpor, the bitterness, the frail joy Come up to us Like a cold fog wrapping us round. Oh in a hundred years Not one of these blood-warm bodies


But will be worthless as clay. The anguish, the torpor, the toil Will have passed to other millions

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Beauty and The Beast by Bayard Taylor:

"By no means, lady!" said the Prince. "The streets are rough, and here are no lamps. If a second accident were to happen, you would be helpless. Will you not allow me to protect you?"

She looked him in the face. In the dusky light, she saw not the peevish, weary features of the worldling, but only the imploring softness of his eyes, the full and perfect honesty of his present emotion. She made no further objection; perhaps she was glad that she could trust the elegant stranger.

Boris, never before at a loss for words, even in the presence of the Empress, was astonished to find how awkward were his attempts at conversation. She was presently the more self-possessed of the

The third excerpt represents the future or something you must embrace, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

numerically inferior, to gain its mastery of the air so unostentatiously and yet so completely.

All things considered an aeroplane duel is regarded as a fairly equal combat. But what of a duel between an aeroplane and a dirigible? Which holds the advantage? This question has not been settled, at any rate conclusively, but it is generally conceded that up to a certain point the dirigible is superior. It certainly offers a huge and attractive target, but rifle fire at its prominent gas-bag is not going to cause much havoc. The punctures of the envelope may represent so many vents through which the gas within may effect a gradual escape, but