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Today's Stichomancy for Fiona Apple

The first excerpt represents the past or something you must release, and is drawn from The Underground City by Jules Verne:

urging his canoe further along the lake.

Harry with his bride, his father and his mother, left the chapel in haste and in terror.

"Fly! fly for your lives!" repeated James Starr. Alas! it was too late to fly! Old Silfax stood there, prepared to fulfill his last dreadful threat--prepared to stop the marriage of Nell and Harry by overwhelming the entire population of the place beneath the ruins of the coal mine.

As he stood ready to accomplish this act of vengeance, his enormous owl, whose white plumage was marked with black spots, was seen hovering directly above his head.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

above our heads. Nobs leaped about and barked furiously. "Let 'em have it!" commanded the tug-captain, and instantly revolvers and rifles poured bullets upon the deck of the submersible. Two of the gun-crew went down; the other trained their piece at the water-line of the oncoming tug. The balance of those on deck replied to our small-arms fire, directing their efforts toward the man at our wheel.

I hastily pushed the girl down the companionway leading to the engine-room, and then I raised my pistol and fired my first shot at a boche. What happened in the next few seconds happened so quickly that details are rather blurred in my memory. I saw the


The Land that Time Forgot
The third excerpt represents the future or something you must embrace, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

"What woman was a man?" I discouraged her without looking up, and she went back to the couch.

It was eleven o'clock when I finally prepared for bed. In spite of my assumption of indifference, I locked the door into the hall, and finding the transom did not catch, I put a chair cautiously before the door--it was not necessary to rouse Liddy-- and climbing up put on the ledge of the transom a small dressing- mirror, so that any movement of the frame would send it crashing down. Then, secure in my precautions, I went to bed.

I did not go to sleep at once. Liddy disturbed me just as I was growing drowsy, by coming in and peering under the bed. She was


The Circular Staircase