The first excerpt represents the past or something you must release, and is drawn from The Snow Image by Nathaniel Hawthorne: difference. It was the village doctor; a man of some fifty years,
whom, at an earlier period of his life, we introduced as paying a
professional visit to Ethan Brand during the latter's supposed
insanity. He was now a purple-visaged, rude, and brutal, yet
half-gentlemanly figure, with something wild, ruined, and
desperate in his talk, and in all the details of his gesture and
manners. Brandy possessed this man like an evil spirit, and made
him as surly and savage as a wild beast, and as miserable as a
lost soul; but there was supposed to be in him such wonderful
skill, such native gifts of healing, beyond any which medical
science could impart, that society caught hold of him, and would
The Snow Image |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard: was troublesome, for she was not only out of health, but in a
lawsuit. She wrote to me, for we lived apart, asking me to
accompany her--not because she was fond of me, or wished to give me
pleasure, but because I was useful in various ways. Mother insisted
upon my accepting her invitation, not because she loved her late
husband's sister, but because she thought it wise to cotton to her
in every particular, for Aunt Eliza was rich, and we--two lone
women--were poor.
I gave my music-pupils a longer and earlier vacation than usual,
took a week to arrange my wardrobe--for I made my own dresses--and
then started for New York, with the five dollars which Aunt Eliza
|
The third excerpt represents the future or something you must embrace, and is drawn from The Black Tulip by Alexandre Dumas: This was the object over which the two brothers had felt
their carriage pass.
The coachman stopped, but, however strongly his master urged
him, he refused to get off and save himself.
In an instant the carriage was hemmed in between those who
followed and those who met it. It rose above the mass of
moving heads like a floating island. But in another instant
it came to a dead stop. A blacksmith had with his hammer
struck down one of the horses, which fell in the traces.
At this moment, the shutter of a window opened, and
disclosed the sallow face and the dark eyes of the young
The Black Tulip |