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Today's Stichomancy for Hugh Jackman

The first excerpt represents the past or something you must release, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant:

sensation of an illness which I believed had been cured, and a dull pain which predicted that the seeds of the disease had not been eradicated.

I then returned to Paris. At the end of a month I was very dejected. It was in the autumn, and I determined to make, before winter came, an excursion through Normandy, a country with which I was unacquainted.

I began my journey, in the best of spirits, at Rouen, and for eight days I wandered about, passive, ravished, and enthusiastic, in that ancient city, that astonishing museum of extraordinary Gothic monuments.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Episode Under the Terror by Honore de Balzac:

that all intermediaries between God and the soul of man are superfluous, and all the grandeur of God proceeds from Himself alone.

The stranger's fervor was sincere. One emotion blended the prayers of the four servants of God and the King in a single supplication. The holy words rang like the music of heaven through the silence. At one moment, tears gathered in the stranger's eyes. This was during the Pater Noster; for the priest added a petition in Latin, and his audience doubtless understood him when he said: "Et remitte scelus regicidis sicut Ludovicus eis remisit semetipse"--forgive the regicides as Louis himself forgave them.

The Sisters saw two great tears trace a channel down the stranger's

The third excerpt represents the future or something you must embrace, and is drawn from Pierre Grassou by Honore de Balzac:

with the worthy artist. They were to come again two days later. As they went away the father told Virginie to walk in front; but in spite of this separation, she overheard the following words, which naturally awakened her curiosity.

"Decorated--thirty-seven years old--an artist who gets orders--puts his money with our notary. We'll consult Cardot. Hein! Madame de Fougeres! not a bad name--doesn't look like a bad man either! One might prefer a merchant; but before a merchant retires from business one can never know what one's daughter may come to; whereas an economical artist--and then you know we love Art-- Well, we'll see!"

While the Vervelle family discussed Pierre Grassou, Pierre Grassou