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Today's Stichomancy for Jack Nicholson

The first excerpt represents the past or something you must release, and is drawn from Travels and Researches in South Africa by Dr. David Livingstone:

formerly alight@mercury.interpath.net). To assure a high quality text, the original was typed in (manually) twice and electronically compared. [Note on text: Italicized words or phrases are CAPITALIZED. Some obvious errors have been corrected.]

Missionary Travels and Researches in South Africa. Also called, Travels and Researches in South Africa; or, Journeys and Researches in South Africa. By David Livingstone [British (Scot) Missionary and Explorer--1813-1873.]

David Livingstone was born in Scotland, received his medical degree from the University of Glasgow, and was sent to South Africa by the London Missionary Society. Circumstances led him to try to meet

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Patchwork Girl of Oz by L. Frank Baum:

what is this record like, which you say you have on tap?"

"It's a popular song, sir. In all civilized lands the common people have gone wild over it."

"Makes civilized folks wild folks, eh? Then it's dangerous."

"Wild with joy, I mean," explained the phonograph. "Listen. This song will prove a rare treat to you, I know. It made the author rich--for an author. It is called 'My Lulu.'"

Then the phonograph began to play. A strain


The Patchwork Girl of Oz
The third excerpt represents the future or something you must embrace, and is drawn from Men of Iron by Howard Pyle:

King and his court, and St. George's Hall (as the older building adjoining it was called) had been set apart as the lodging of the Comte de Vermoise and the knights and gentlemen attendant upon him.

The great North Hall had been very much altered and changed for the accommodation of the King and his people; a beautiful gallery of carved wood-work had been built within and across the south end of the room for the use of the ladies who were to look down upon the ceremonies below. Two additional windows had been cut through the wall and glazed, and passage-ways had been opened connecting with the royal apartments beyond. In the bedchamber a


Men of Iron