|The first excerpt represents the past or something you must release, and is drawn from Dream Life and Real Life by Olive Schreiner:
"Y-e-s," she said, with her slow Colonial drawl; "I'm so glad."
We stood looking at each other.
Then they came in and swept us away to dance. All the evening we did not
come near to each other. Only once, as she passed, she smiled at me.
The next morning I left the town.
I never saw her again.
Years afterwards I heard she had married and gone to America; it may or may
not be so--but the rose--the rose is in the box still! When my faith in
woman grows dim, and it seems that for want of love and magnanimity she can
play no part in any future heaven; then the scent of that small withered
thing comes back:--spring cannot fail us.
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Modest Proposal by Jonathan Swift:
plentiful in March, and a little before and after; for we are
told by a grave author, an eminent French physician, that fish
being a prolifick dyet, there are more children born in Roman
Catholick countries about nine months after Lent, the markets
will be more glutted than usual, because the number of Popish
infants, is at least three to one in this kingdom, and therefore
it will have one other collateral advantage, by lessening the
number of Papists among us.
I have already computed the charge of nursing a beggar's child
(in which list I reckon all cottagers, labourers, and four-fifths
of the farmers) to be about two shillings per annum, rags
A Modest Proposal
|The third excerpt represents the future or something you must embrace, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson:
Till up in the morning the sun shall arise.
How do you like to go up in a swing,
Up in the air so blue?
Oh, I do think it the pleasantest thing
Ever a child can do!
Up in the air and over the wall,
Till I can see so wide,
River and trees and cattle and all
Over the countryside--
A Child's Garden of Verses