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Today's Stichomancy for Jessica Simpson

The first excerpt represents the past or something you must release, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

had done to blast the budding attentions she had won from Donald Farfrae, was glad to hear Lucetta's words about remaining.

For in addition to Lucetta's house being a home, that raking view of the market-place which it afforded had as much attraction for her as for Lucetta. The carrefour was like the regulation Open Place in spectacular dramas, where the incidents that occur always happen to bear on the lives of the adjoining residents. Farmers, merchants, dairymen, quacks, hawkers, appeared there from week to week, and disappeared as the afternoon wasted away. It was the node


The Mayor of Casterbridge
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Vailima Letters by Robert Louis Stevenson:

through a very poor interpreter, and sometimes hampered by unacceptable counsels from my backers. I can speak fairly well in a plain way now. C. asked me to write out my harangue for him this morning; I have done so, and couldn't get it near as good. I suppose (talking and interpreting) I was twenty minutes or half-an-hour on the deck; then his majesty replied in the dying whisper of a big chief; a few words of rejoinder (approving), and the deputation withdrew, rather well satisfied.

A few days ago this intervention would have been a deportable offence; not now, I bet; I would like them to try. A little

The third excerpt represents the future or something you must embrace, and is drawn from Euthyphro by Plato:

neither from these nor any other indications of similarity or difference, and still less from arguments respecting the suitableness of this little work to aid Socrates at the time of his trial or the reverse, can any evidence of the date be obtained.

EUTHYPHRO

by

Plato

Translated by Benjamin Jowett

PERSONS OF THE DIALOGUE: Socrates, Euthyphro.

SCENE: The Porch of the King Archon.

EUTHYPHRO: Why have you left the Lyceum, Socrates? and what are you doing