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Today's Stichomancy for John Travolta

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Prince by Nicolo Machiavelli:

legate of Scipio, yet they were not avenged by him, nor was the insolence of the legate punished, owing entirely to his easy nature. Insomuch that someone in the Senate, wishing to excuse him, said there were many men who knew much better how not to err than to correct the errors of others. This disposition, if he had been continued in the command, would have destroyed in time the fame and glory of Scipio; but, he being under the control of the Senate, this injurious characteristic not only concealed itself, but contributed to his glory.

Returning to the question of being feared or loved, I come to the conclusion that, men loving according to their own will and fearing


The Prince
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Othello by William Shakespeare:

place: knocking out his braines

Rod. And that you would haue me to do

Iago. I: if you dare do your selfe a profit, and a right. He sups to night with a Harlotry: and thither will I go to him. He knowes not yet of his Honourable Fortune, if you will watch his going thence (which I will fashion to fall out betweene twelue and one) you may take him at your pleasure. I will be neere to second your Attempt, and he shall fall betweene vs. Come, stand not amaz'd at it, but go along with me: I will shew you such a necessitie in his death, that


Othello
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Land of Footprints by Stewart Edward White:

bottom.

This bottom was well wooded along the immediate bank of the stream itself, fringed with low thick brush, and in the open spaces grown to the edges with high, green, coarse grass.

As soon as we had managed to follow without fault to this grass, our difficulties of trailing were at an end. The lions' heavy bodies had made distinct paths through the tangle. These paths went forward sinuously, sometimes separating one from the other, sometimes intertwining, sometimes combining into one for a short distance. We could not determine accurately the number of beasts that had made them.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Time Machine by H. G. Wells:

there was a different problem.

`I saw the heads of two orange-clad people coming through the bushes and under some blossom-covered apple-trees towards me. I turned smiling to them and beckoned them to me. They came, and then, pointing to the bronze pedestal, I tried to intimate my wish to open it. But at my first gesture towards this they behaved very oddly. I don't know how to convey their expression to you. Suppose you were to use a grossly improper gesture to a delicate-minded woman--it is how she would look. They went off as if they had received the last possible insult. I tried a sweet-looking little chap in white next, with exactly the same


The Time Machine