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Today's Stichomancy for Jon Stewart

The first excerpt represents the past or something you must release, and is drawn from Under the Andes by Rex Stout:

their reach, as I promised. I have reproached myself bitterly, Hal; you need add nothing."

"Do you think I would? Only--there is something else. About what she said to you. I knew that, you know."

I was silent; he continued:

"I knew it long ago. Do you think I am blind? And I want to say this while I have a chance--it was uncommon good of you. To take it the way you did, I mean."

His simplicity made me uncomfortable, and I made no answer. Indeed, the thing was beyond discussion; it was merely a bare fact which, when once stated, left nothing to be said. So I refused to

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mysterious Island by Jules Verne:

No reflection of light, no sound from inhabited land, no roaring of the ocean could have reached them, through the obscurity, while suspended in those elevated zones. Their rapid descent alone had informed them of the dangers which they ran from the waves. However, the balloon, lightened of heavy articles, such as ammunition, arms, and provisions, had risen into the higher layers of the atmosphere, to a height of 4,500 feet. The voyagers, after having discovered that the sea extended beneath them, and thinking the dangers above less dreadful than those below, did not hesitate to throw overboard even their most useful articles, while they endeavored to lose no more of that fluid, the life of their enterprise, which sustained them above the abyss.


The Mysterious Island
The third excerpt represents the future or something you must embrace, and is drawn from The Crowd by Gustave le Bon:

fictitious shapes is far more important than that of the real shapes, for it is they and they alone that we see and that can be reproduced by photography or in pictures. In certain cases there is more truth in the unreal than in the real. To present objects with their exact geometrical forms would be to distort nature and render it unrecognisable. If we imagine a world whose inhabitants could only copy or photograph objects, but were unable to touch them, it would be very difficult for such persons to attain to an exact idea of their form. Moreover, the knowledge of this form, accessible only to a small number of learned men, would present but a very minor interest.