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Today's Stichomancy for Josh Hartnett

The first excerpt represents the past or something you must release, and is drawn from Plain Tales from the Hills by Rudyard Kipling:

strange enough; but nothing is strange when you're on the Black Smoke, except the Black Smoke. And if it was, it wouldn't matter. Fung-Tching used to be very particular about his people, and never got in any one who'd give trouble by dying messy and such. But the nephew isn't half so careful. He tells everywhere that he keeps a "first-chop" house. Never tries to get men in quietly, and make them comfortable like Fung-Tching did. That's why the Gate is getting a little bit more known than it used to be. Among the niggers of course. The nephew daren't get a white, or, for matter of that, a mixed skin into the place. He has to keep us three of course--me and the Memsahib and the other Eurasian. We're fixtures.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from When the World Shook by H. Rider Haggard:

threatened, and unchained the forces that work at the world's heart, and destroyed them who were my enemies and evil, so that they perished by millions, and with them all their works. Afterwards we slept, leaving the others, our subjects who had not the secret of this Sleep, to die, as doubtless they did in the course of Nature or by the hand of the foe. The rest you know."

"Can such a thing happen again?" asked Bickley in a voice that did not hide his disbelief.

"Why do you question me, Bickley, you who believe nothing of what I tell you, and therefore make wrath? Still I will say this, that what I caused to happen I can cause once more--only once, I

When the World Shook
The third excerpt represents the future or something you must embrace, and is drawn from Baby Mine by Margaret Mayo:

from a passing taxi but Zoie. It was apparent that she wished him to wait until she could alight; and in spite of his disinclination to do so, he not only waited but followed the taxi to its stopping place and helped the young woman to the pavement.

"Oh, you darling!" exclaimed Zoie, all of a flutter, and looking exactly like an animated doll. "You've just saved my life." She called to the taxi driver to "wait."

"Are you in trouble?" asked the guileless Jimmy.

"Yes, dreadful," answered Zoie, and she thrust a half-dozen small parcels into Jimmy's arms. "I have to be at my dressmaker's in half an hour; and I haven't had a bite of lunch. I'm miles and