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Today's Stichomancy for Kate Moss

The first excerpt represents the past or something you must release, and is drawn from Shadow out of Time by H. P. Lovecraft:

was I able to gain a clear hint of what they looked like. There were veiled suggestions of a monstrous plasticity, and of temporary lapses of visibility, while other fragmentary whispers referred to their control and military use of great winds. Singular whistling noises, and colossal footprints made up of five circular toe marks, seemed also to be associated with them. It was evident that the coming doom so desperately feared by the Great Race - the doom that was one day to send millions of keen minds across the chasm of time to strange bodies in the safer future - had to do


Shadow out of Time
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Z. Marcas by Honore de Balzac:

to make thirty sous a day, the sum strictly answering to his needs. Meditation had leveled a desert all round him. He read the papers to be informed of what was going on. Pozzo di Borgo had once lived like this for some time.

Marcas, no doubt, was planning a serious attack, accustoming himself to dissimulation, and punishing himself for his blunders by Pythagorean muteness. But he did not tell us the reasons for his conduct.

It is impossible to give you an idea of the scenes of the highest comedy that lay behind this algebraic statement of his career; his useless patience dogging the footsteps of fortune, which presently

The third excerpt represents the future or something you must embrace, and is drawn from 1492 by Mary Johntson:

found a chance-left lane of vision down which much might be seen.

The Queen composed herself , in her chair. ``This is the position, Master Manuel?'' The fair man, so fine and quick that I loved to look at him, bowed and stepped back to his canvas, where he took up his brush and fell to work. The Queen and the Archbishop began to speak earnestly together. Words and sentences floated to Juan Lepe standing by the arras. The Queen made thoughtful pauses, looking before her with steady blue eyes and a somewhat lifted face. I noted that when she did this Manuel Rodriguez painted