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Today's Stichomancy for Keanu Reeves

The first excerpt represents the past or something you must release, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

callboy was opening the door.

"Monsieur Bosc!" he called. "Mademoiselle Simonne!"

Simonne flung a fur-lined pelisse briskly over her shoulders and went out. Bosc, without hurrying at all, went and got his crown, which he settled on his brow with a rap. Then dragging himself unsteadily along in his greatcoat, he took his departure, grumbling and looking as annoyed as a man who has been rudely disturbed.

"You were very amiable in your last notice," continued Fontan, addressing Fauchery. "Only why do you say that comedians are vain?"

"Yes, my little man, why d'you say that?" shouted Mignon, bringing down his huge hands on the journalist's slender shoulders with such

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tales of Unrest by Joseph Conrad:

ever.

But upstairs in the drawing-room he became the victim of a restless fate, that would, on no account, permit him to sit down. She had sunk on a low easy-chair, and taking up from a small table at her elbow a fan with ivory leaves, shaded her face from the fire. The coals glowed without a flame; and upon the red glow the vertical bars of the grate stood out at her feet, black and curved, like the charred ribs of a consumed sacrifice. Far off, a lamp perched on a slim brass rod, burned under a wide shade of crimson silk: the centre, within the shadows of the large room, of a fiery twilight that had in the warm quality of its tint something delicate, refined and infernal. His soft


Tales of Unrest
The third excerpt represents the future or something you must embrace, and is drawn from Burning Daylight by Jack London:

pickings thrown in, was a lawyer, Larry Hegan, a young Irishman with a reputation to make, and whose peculiar genius had been unrecognized until Daylight picked up with him. Hegan had Celtic imagination and daring, and to such degree that Daylight's cooler head was necessary as a check on his wilder visions. Hegan's was a Napoleonic legal mind, without balance, and it was just this balance that Daylight supplied. Alone, the Irishman was doomed to failure, but directed by Daylight, he was on the highroad to fortune and recognition. Also, he was possessed of no more personal or civic conscience than Napoleon.

It was Hegan who guided Daylight through the intricacies of