Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Kid Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Voyage to Abyssinia by Father Lobo:

and a prodigious number of cows that is kept here, have often made me call Abyssinia a land of honey and butter.

Chapter III

The manner of eating in Abyssinia, their dress, their hospitality, and traffic.

The great lords, and even the Emperor himself, maintain their tables with no great expense. The vessels they make use of are black earthenware, which, the older it is, they set a greater value on. Their way of dressing their meat, an European, till he hath been long accustomed to it, can hardly be persuaded to like; everything they eat smells strong and swims with butter. They make no use of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from God The Invisible King by H. G. Wells:

virginity of Mary and Joseph, and the like. All these things are parts of orthodox Christianity. Yet none of them did Christ, even by the Christian account, expound or recommend. He treated them as negligible. It was left for the Alexandrians, for Alexander, for little, red-haired, busy, wire-pulling Athanasius to find out exactly what their Master was driving at, three centuries after their Master was dead. . . .

Men still sit at little desks remote from God or life, and rack their inadequate brains to meet fancied difficulties and state unnecessary perfections. They seek God by logic, ignoring the marginal error that creeps into every syllogism. Their conceit

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from My Aunt Margaret's Mirror by Walter Scott:

motioned the ladies to enter. They had no sooner done so than it shut, and excluded their guide. The two ladies found themselves in a small vestibule, illuminated by a dim lamp, and having, when the door was closed, no communication with the external light or air. The door of an inner apartment, partly open, was at the farther side of the vestibule.

"We must not hesitate now, Jemima," said Lady Bothwell, and walked forwards into the inner room, where, surrounded by books, maps, philosophical utensils, and other implements of peculiar shape and appearance, they found the man of art.

There was nothing very peculiar in the Italian's appearance. He

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Eugenie Grandet by Honore de Balzac:

love God too truly not to find your salvation in the midst of his world, of which you are noble ornament and to which you owe your example."

At this moment Madame des Grassins was announced. She came incited by vengeance and the sense of a great despair.

"Mademoiselle," she said--"Ah! here is monsieur le cure; I am silent. I came to speak to you on business; but I see that you are conferring with--"

"Madame," said the cure, "I leave the field to you."

"Oh! monsieur le cure," said Eugenie, "come back later; your support is very necessary to me just now."


Eugenie Grandet