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Today's Stichomancy for Kurt Vonnegut

The first excerpt represents the past or something you must release, and is drawn from Bucolics by Virgil:

And when I cried, "Where is he off to now? Gather your flock together, Tityrus," You hid behind the sedges.

DAMOETAS

Well, was he Whom I had conquered still to keep the goat. Which in the piping-match my pipe had won! You may not know it, but the goat was mine.

MENALCAS You out-pipe him? when had you ever pipe Wax-welded? in the cross-ways used you not

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Astoria by Washington Irving:

captain was the daintiness of some of his cabin passengers. They were loud in their complaints of the ship's fare, though their table was served with fresh pork, hams, tongues, smoked beef, and puddings. "When thwarted in their cravings for delicacies," Said he, "they would exclaim it was d-d hard they could not live as they pleased upon their own property, being on board of their own ship, freighted with their own merchandise. And these," added he, "are the fine fellows who made such boast that they could 'eat dogs.' "

In his indignation at what he termed their effeminacy, he would swear that he would never take them to sea again "without having

The third excerpt represents the future or something you must embrace, and is drawn from Tristram Shandy by Laurence Sterne:

not, brother Toby, continued my father,--I declare I would not have my head so full of curtins and horn-works.--That I dare say you would not, quoth Dr. Slop, interrupting him, and laughing most immoderately at his pun.

Dennis the critic could not detest and abhor a pun, or the insinuation of a pun, more cordially than my father;--he would grow testy upon it at any time;--but to be broke in upon by one, in a serious discourse, was as bad, he would say, as a fillip upon the nose;--he saw no difference.

Sir, quoth my uncle Toby, addressing himself to Dr. Slop,--the curtins my brother Shandy mentions here, have nothing to do with beadsteads;--tho', I know Du Cange says, 'That bed-curtains, in all probability, have taken their name from them;'--nor have the horn-works he speaks of, any thing in