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Today's Stichomancy for Lindsay Lohan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

happy colonies, who live in Oriental fashion and can preserve their beauty; but these women rarely show themselves on foot in the streets, they lie hid like rare plants who only unfold their petals at certain hours, and constitute veritable exotic exceptions. However, Paris is essentially the country of contrasts. If true sentiments are rare there, there also are to be found, as elsewhere, noble friendships and unlimited devotion. On this battlefield of interests and passions, just as in the midst of those marching societies where egoism triumphs, where every one is obliged to defend himself, and which we call /armies/, it seems as though sentiments liked to be complete when they showed themselves, and are sublime by juxtaposition. So it is

The Girl with the Golden Eyes
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from One Basket by Edna Ferber:

entertainment of the cigar-box-tramp variety, interspersed with trick bicyclists, soubrettes in slightly soiled pink, trained seals, and Family Fours with lumpy legs who tossed each other about and struck Goldbergian attitudes.

Contact with these gave Terry Sheehan a semiprofessional tone. The more conservative of her townspeople looked at her askance. There never had been an evil thing about Terry, but Wetona considered her rather fly. Terry's hair was very black, and she had a fondness for those little, close-fitting scarlet turbans. Terry's mother had died when the girl was eight, and Terry's father had been what is known as easygoing. A good-natured,

One Basket
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Buttered Side Down by Edna Ferber:

middle-aged family man with the kindly face:

"Beat it. You've had about enough I guess."

Jennie walked into a department store, picked out the oldest and most stationary looking floorwalker, and put it to him. The floorwalker bent his head, caught the word "food," swung about, and pointed over Jennie's head.

"Grocery department on the seventh floor. Take one of those elevators up."

Any one but a floorwalker could have seen the misery in Jennie's face. But to floorwalkers all women's faces are horrible.

Jennie turned and walked blindly toward the elevators. There

Buttered Side Down
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Damnation of Theron Ware by Harold Frederic:

"It seems that you only take notice of hair in stained-glass windows," was Celia's comment.

"Oh-h!" he murmured reproachfully, "as if--as if-- but I won't say what I was going to."

"That's not fair!" she said. The little touch of whimsical mockery which she gave to the serious declaration was delicious to him. "You have me at such a disadvantage! Here am I rattling out whatever comes into my head, exposing all my lightest emotions, and laying bare my very heart in candor, and you meditate, you turn things over cautiously in your mind, like a second Machiavelli.

The Damnation of Theron Ware