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Today's Stichomancy for Lindsay Lohan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Father Goriot by Honore de Balzac:

of opera glasses, has very probably no socks in his wardrobe, for the hosier is another of the genus of weevils that nibble at the purse. This was Rastignac's condition. His purse was always empty for Mme. Vauquer, always full at the demand of vanity; there was a periodical ebb and flow in his fortunes, which was seldom favorable to the payment of just debts. If he was to leave that unsavory and mean abode, where from time to time his pretensions met with humiliation, the first step was to pay his hostess for a month's board and lodging, and the second to purchase furniture worthy of the new lodgings he must take in his quality of dandy, a course that remained impossible. Rastignac, out of his winnings


Father Goriot
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Red Inn by Honore de Balzac:

inquiry I had put to him during Monsieur Hermann's narrative, he had steadily avoided my eye. Possibly he avoided those of all the other guests. He talked with the youthful, inexperienced daughter of the banker, feeling, no doubt, like many other criminals, a need of drawing near to innocence, hoping to find rest there. But, though I was a long distance from him, I heard him, and my piercing eye fascinated his. When he thought he could watch me unobserved our eyes met, and his eyelids dropped immediately.

Weary of this torture, Taillefer seemed determined to put an end to it by sitting down at a card-table. I at once went to bet on his adversary; hoping to lose my money. The wish was granted; the player

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson:

on the other hand, those jests were given and taken in good humour, the whole relation between the pair degenerates into the unedifying complicity of a debauched old chaplain and a witty and dissolute young scholar. At this rate the house with the red door may have rung with the most mundane minstrelsy; and it may have been below its roof that Villon, through a hole in the plaster, studied, as he tells us, the leisures of a rich ecclesiastic.

It was, perhaps, of some moment in the poet's life that he should have inhabited the cloister of Saint Benoit. Three of the most remarkable among his early acquaintances are

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Cruise of the Jasper B. by Don Marquis:

thus early in the year. With a sense of almost intolerable disgust, Cleggett saw the man, with a rapt smile on his face, tear the insect's legs from it, and turn it loose. If ever a creature rejoiced in wickedness for its own sake, and as if its practice were an art in itself, Pierre was that person, Cleggett concluded. Knowing Pierre, one could almost understand those cafes of Paris where the silly poets of degradation ostentatiously affect the worship of all manner of devils.

An instant later, Pierre, as if he had been doing something quite charming, looked at Cleggett with a grin; a grin that assumed that there was some kind of an understanding between them