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Today's Stichomancy for Lindsay Lohan

The first excerpt represents the past or something you must release, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant:

ditch until they reached a well-known hole through which they suddenly disappeared, while a foal, which was tied up in a meadow, took fright at the sight of the surplice and began to gallop round at the length of its rope, kicking violently. The choir-boy, in his red cassock, walked quickly, and the priest, the square biretta on his bowed head, followed him, muttering some prayers. Last of all came La Rapet, bent almost double, as if she wished to prostrate herself; she walked with folded hands, as if she were in church.

Honore saw them pass in the distance, and he asked: "Where is our priest going to?" And his man, who was more acute, replied: "He

The second excerpt represents the present or the deciding factor of the moment, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

"You must take the lead now, Hepzibah!" murmured he, with a torpid and reluctant utterance. "Do with me as you will!" She knelt down upon the platform where they were standing and lifted her clasped hands to the sky. The dull, gray weight of clouds made it invisible; but it was no hour for disbelief,--no juncture this to question that there was a sky above, and an Almighty Father looking from it!

"O God!"--ejaculated poor, gaunt Hepzibah,--then paused a moment, to consider what her prayer should be,--"O God,--our Father, --are we not thy children? Have mercy on us!"

XVIII Governor Pyncheon


House of Seven Gables
The third excerpt represents the future or something you must embrace, and is drawn from The Crowd by Gustave le Bon:

the ideal with which they have been inspired. We have also seen that they only entertain violent and extreme sentiments, that in their case sympathy quickly becomes adoration, and antipathy almost as soon as it is aroused is transformed into hatred. These general indications furnish us already with a presentiment of the nature of the convictions of crowds.

When these convictions are closely examined, whether at epochs marked by fervent religious faith, or by great political upheavals such as those of the last century, it is apparent that they always assume a peculiar form which I cannot better define than by giving it the name of a religious sentiment.