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Today's Stichomancy for Liv Tyler

The first excerpt represents the past or something you must release, and is drawn from Dreams by Olive Schreiner:

dancing in his veins; he will not know weariness nor pain; life will be a long laugh to him."

"No," said another, "let me touch; for I am Wealth. If I touch him material care shall not feed on him. He shall live on the blood and sinews of his fellow-men, if he will; and what his eye lusts for, his hand will have. He shall not know 'I want.'" And the child lay still like lead.

And another said, "Let me touch him: I am Fame. The man I touch, I lead to a high hill where all men may see him. When he dies he is not forgotten, his name rings down the centuries, each echoes it on to his fellows. Think--not to be forgotten through the ages!"

And the mother lay breathing steadily, but in the brain-picture they

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry:

ought to be the freedom of the debate. It is only in this way that we can hope to arrive at truth, and fulfill the great responsibility which we hold to God and our country. Should I keep back my opinions at such a time, through fear of giving offense, I should consider myself as guilty of treason towards my country, and of an act of disloyalty toward the Majesty of Heaven, which I revere above all earthly kings.

Mr. President, it is natural to man to indulge in the illusions of hope. We are apt to shut our eyes against a painful truth, and listen to the song of that siren till she transforms us into beasts. Is this the part of wise men, engaged in a great and arduous struggle for liberty? Are we disposed to be of the number of those who, having eyes, see not,

The third excerpt represents the future or something you must embrace, and is drawn from Through the Looking-Glass by Lewis Carroll:

`Things flow about so here!' she said at last in a plaintive tone, after she had spent a minute or so in vainly pursuing a large bright thing, that looked sometimes like a doll and sometimes like a work-box, and was always in the shelf next above the one she was looking at. `And this one is the most provoking of all--but I'll tell you what--' she added, as a sudden thought struck her, `I'll follow it up to the very top shelf of all. It'll puzzle it to go through the ceiling, I expect!'

But even this plan failed: the `thing' went through the ceiling as quietly as possible, as if it were quite used to it.

`Are you a child or a teetotum?' the Sheep said, as she took up

Through the Looking-Glass