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Today's Stichomancy for Lucy Liu

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Europeans by Henry James:

"I don't like the coloring; it hurts my eyes."

"It shows how extremes meet," the young man rejoined. "Instead of coming to the West we seem to have gone to the East. The way the sky touches the house-tops is just like Cairo; and the red and blue sign-boards patched over the face of everything remind one of Mahometan decorations."

"The young women are not Mahometan," said his companion. "They can't be said to hide their faces. I never saw anything so bold."

"Thank Heaven they don't hide their faces!" cried Felix. "Their faces are uncommonly pretty."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Call of the Wild by Jack London:

lot by breaking out that sled. The runners are froze fast. Throw your weight against the gee-pole, right and left, and break it out."

A third time the attempt was made, but this time, following the advice, Hal broke out the runners which had been frozen to the snow. The overloaded and unwieldy sled forged ahead, Buck and his mates struggling frantically under the rain of blows. A hundred yards ahead the path turned and sloped steeply into the main street. It would have required an experienced man to keep the top-heavy sled upright, and Hal was not such a man. As they swung on the turn the sled went over, spilling half its load through the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Road to Oz by L. Frank Baum:

everything about it was shaggy, although so new and beautiful, and he sighed with contentment to realize that he could now be finely dressed and still be the shaggy man. His coat was of rose-colored velvet, trimmed with shags and bobtails, with buttons of blood-red rubies and golden shags around the edges. His vest was a shaggy satin of a delicate cream color, and his knee-breeches of rose velvet trimmed like the coat. Shaggy creamy stockings of silk, and shaggy slippers of rose leather with ruby buckles, completed his costume, and when he was thus attired the shaggy man looked at himself in a long mirror with great admiration. On a table he found a mother-of-pearl chest decorated with delicate silver vines and flowers of clustered rubies,


The Road to Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

by, a tree fell, blocking the road; and even before us leaves were thickly strewn, and boughs had fallen, large enough to make the passage difficult. But now we were hard by the summit. The road crosses the ridge, just in the nick that Kelmar showed me from below, and then, without pause, plunges down a deep, thickly wooded glen on the farther side. At the highest point a trail strikes up the main hill to the leftward; and that leads to Silverado. A hundred yards beyond, and in a kind of elbow of the glen, stands the Toll House Hotel. We came up the one side, were caught upon the summit by the whole weight of the wind as it poured over into