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Today's Stichomancy for Madonna

The first excerpt represents the past or something you must release, and is drawn from The Rig Veda:

3 He hath made pathways, with the Sun to aid him, throughout the darkness that extended pathless. Mortals who yearn to worship ne'er dishonour, O Mighty God, thy Law who art Immortal.

4 And he who did these things, where is that Indra? among what tribes? what people doth he visit? What sacrifice contents thy mind , and wishes? What priest among them

The Rig Veda
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Charmides by Plato:

philosophical importance. They do not affect the substance of the work. It may be remarked further that several of the dialogues, such as the Phaedrus, the Sophist, and the Parmenides, have more than one subject. But it does not therefore follow that Plato intended one dialogue to succeed another, or that he begins anew in one dialogue a subject which he has left unfinished in another, or that even in the same dialogue he always intended the two parts to be connected with each other. We cannot argue from a casual statement found in the Parmenides to other statements which occur in the Philebus. Much more truly is his own manner described by himself when he says that 'words are more plastic than wax' (Rep.), and 'whither the wind blows, the argument follows'. The dialogues of Plato are like poems,

The third excerpt represents the future or something you must embrace, and is drawn from The Reign of King Edward the Third by William Shakespeare:

And that's the special ground of their contempt, Wherewith they study to exclude your grace: But they shall find that forged ground of theirs To be but dusty heaps of brittle sand. Perhaps it will be thought a heinous thing, That I, a French man, should discover this; But heaven I call to record of my vows: It is not hate nor any private wrong, But love unto my country and the right, Provokes my tongue, thus lavish in report. You are the lineal watchman of our peace,