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Today's Stichomancy for Mahmoud Ahmadinejad

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson:

and guy-ropes to guide the boats into its narrow and intricate entrance; and it frequently happened that the sea made a clean breach over the praams, which not only washed their decks, but completely drenched the crew in water.

[Sunday, 17th June]

It was fortunate, in the present state of the weather, that the fiftieth course was in a sheltered spot, within the reach of the tackle of the winch-machine upon the bridge; a few stones were stowed upon the bridge itself, and the remainder upon the building, which kept the artificers at work. The stowing of the materials upon the rock was the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

means of curing the Czar's daughter, and began to scold him.

"You had pity for a beggar and gave no thought to the Czar's daughter," they said.

"I have pity for the Czar's daughter also," replied Ivan, after which he harnessed his horse to his wagon and took his seat ready for his departure; whereupon his parents said: "Where are you going, you fool--to cure the Czar's daughter, and without anything to do it with?"

"Very well," replied Ivan, as he drove away.

In due time he arrived at the palace, and the moment he appeared on the balcony the Czar's daughter was cured. The Czar was


The Kreutzer Sonata
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Fisherman's Luck by Henry van Dyke:

one carrying a frying-pan and a kettle, the other with a basket of lunch on his arm. Then I see the bright flames leaping up in the fireplace, and hear the trout sizzling in the pan, and smell the appetizing odour. Now I see the lads coming back across the foot- bridge that spans the stream, with a bottle of milk from the nearest farmhouse. They are laughing and teetering as they balance along the single plank. Now the table is spread on the moss. How good the lunch tastes! Never were there such pink-fleshed trout, such crisp and savoury slices of broiled bacon. Douglas, (the beloved doll that the younger lad shamefacedly brings out from the pocket of his jacket,) must certainly have some of it. And after the lunch is

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Puck of Pook's Hill by Rudyard Kipling:

gown-hem, an' she stooped to the pull o' that liddle hand.'

Tom Shoesmith spread his huge fist before the fire and smiled at it as he went on.

"'Will the sea drown the Marsh?" she says. She was a Marsh woman first an' foremost.

"'No," says the liddle voice. "Sleep sound for all o' that."

"'Is the Plague comin' to the Marsh?" she says. Them was all the ills she knowed.

"'No. Sleep sound for all o' that," says Robin.

'She turned about, half mindful to go in, but the liddle voices grieved that shrill an' sorrowful she turns back, an'