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Today's Stichomancy for Matt Damon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Underground City by Jules Verne:

dimly lighted by his lamp.

A quarter of an hour afterwards James Starr and Harry descended the last ladder, and set foot on the lowest floor of the pit.

From the bottom of the Yarrow shaft radiated numerous empty galleries. They ran through the wall of schist and sandstone, some shored up with great, roughly-hewn beams, others lined with a thick casing of wood. In every direc-

tion embankments supplied the place of the excavated veins. Artificial pillars were made of stone from neighboring quarries, and now they supported the ground, that is to say, the double layer of tertiary and quaternary soil, which formerly rested on the seam itself.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Black Dwarf by Walter Scott:

wyte an innocent neighbour wi' violence--No answer?--It must be the Red Reiver--I didna think he wad hae ventured on me, neither, and sae mony kin as there's o' us--I am thinking he'll hae some better backing than his Cumberland friends.--Fareweel to you, Elshie, and mony thanks--I downa be fashed wi' the siller e'en now, for I maun awa' to meet my friends at the Trysting-place-- Sae, if ye carena to open the window, ye can fetch it in after I'm awa'."

Still there was no reply.

"He's deaf, or he's daft, or he's baith; but I hae nae time to stay to claver wi' him."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great God Pan by Arthur Machen:

place saw nothing of her till a few months ago. My informant told me that she had taken some rooms in a house which he pointed out, and these rooms she was in the habit of visiting two or three times a week and always at ten in the morning. I was led to expect that one of these visits would be paid on a certain day about a week ago, and I accordingly managed to be on the look-out in company with my cicerone at a quarter to ten, and the hour and the lady came with equal punctuality. My friend and I were standing under an archway, a little way back from the street, but she saw us, and gave me a glance that I shall be long in forgetting. That look was quite enough for me;


The Great God Pan
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Z. Marcas by Honore de Balzac:

his name which is truly surprising; often some remote but very real correlation is revealed. Our globe is round; everything is linked to everything else. Some day perhaps we shall revert to the occult sciences.

Do you not discern in that letter Z an adverse influence? Does it not prefigure the wayward and fantastic progress of a storm-tossed life? What wind blew on that letter, which, whatever language we find it in, begins scarcely fifty words? Marcas' name was Zephirin; Saint Zephirin is highly venerated in Brittany, and Marcas was a Breton.

Study the name once more: Z Marcas! The man's whole life lies in this fantastic juxtaposition of seven letters; seven! the most significant