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Today's Stichomancy for Matt Damon

The first excerpt represents the past or something you must release, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

late David Graham.) "It's pretty fair, I think. Of course he's a Victorian." They sallied into a discussion of poetry, in the course of which they introduced themselves, and Amory's companion proved to be none other than "that awful highbrow, Thomas Parke D'Invilliers," who signed the passionate love-poems in the Lit. He was, perhaps, nineteen, with stooped shoulders, pale blue eyes, and, as Amory could tell from his general appearance, without much conception of social competition and such phenomena of absorbing interest. Still, he liked books, and it seemed forever since Amory had met any one who did; if only that St. Paul's crowd at the next table


This Side of Paradise
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Travels and Researches in South Africa by Dr. David Livingstone:

the original was typed in (manually) twice and electronically compared. [Note on text: Italicized words or phrases are CAPITALIZED. Some obvious errors have been corrected.]

Missionary Travels and Researches in South Africa. Also called, Travels and Researches in South Africa; or, Journeys and Researches in South Africa. By David Livingstone [British (Scot) Missionary and Explorer--1813-1873.]

David Livingstone was born in Scotland, received his medical degree from the University of Glasgow, and was sent to South Africa by the London Missionary Society. Circumstances led him to try to meet the material needs as well as the spiritual needs of the people he went to,

The third excerpt represents the future or something you must embrace, and is drawn from Les Miserables by Victor Hugo:

sure that there was some secret in the case, that the latter had some interest in remaining in the shadow, he felt himself strong; when he perceived from the stranger's clear and firm retort, that this mysterious personage was mysterious in so simple a way, he became conscious that he was weak. He had expected nothing of the sort. His conjectures were put to the rout. He rallied his ideas. He weighed everything in the space of a second. Thenardier was one of those men who take in a situation at a glance. He decided that the moment had arrived for proceeding straightforward, and quickly at that. He did as great leaders do at the decisive moment, which they know that they alone recognize; he abruptly unmasked his


Les Miserables