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Today's Stichomancy for Mel Brooks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flame and Shadow by Sara Teasdale:

Naked and fleet -- For my love has returned, He is home, he is here, In the whole world no other Is dear as my dear!

Gray Eyes

It was April when you came The first time to me, And my first look in your eyes Was like my first look at the sea.

We have been together

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sarrasine by Honore de Balzac:

companion threw herself on a divan, breathing fast with terror, not knowing where she was.

"You are mad, madame," I said to her.

"But," she rejoined, after a moment's silence, during which I gazed at her in admiration, "is it my fault? Why does Madame de Lanty allow ghosts to wander round her house?"

"Nonsense," I replied; "you are doing just what fools do. You mistake a little old man for a spectre."

"Hush," she retorted, with the imposing, yet mocking, air which all women are so well able to assume when they are determined to put themselves in the right. "Oh! what a sweet boudoir!" she cried,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Allan Quatermain by H. Rider Haggard:

-- filled the venerable-looking commander with astonishment, not unmixed with awe. He was dressed after the same fashion as the man we first met, except that his shirt was not made of brown cloth, but of pure white linen hemmed with purple. The kilt, however, was identical, and so were the thick rings of gold around the arm and beneath the left knee. The rowers wore only a kilt, their bodies being naked to the waist. Good took off his hat to the old gentleman with an extra flourish, and inquired after his health in the purest English, to which he replied by laying the first two fingers of his right hand horizontally across his lips and holding them there for a moment, which we

Allan Quatermain
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hidden Masterpiece by Honore de Balzac:

set-up, but--she is not living. You young men think you have done all when you have drawn the form correctly, and put everything in place according to the laws of anatomy. You color the features with flesh- tones, mixed beforehand on your palette,--taking very good care to shade one side of the face darker than the other; and because you draw now and then from a nude woman standing on a table, you think you can copy nature; you fancy yourselves painters, and imagine that you have got at the secret of God's creations! Pr-r-r-r!--To be a great poet it is not enough to know the rules of syntax and write faultless grammar. Look at your saint, Porbus. At first sight she is admirable; but at the very next glance we perceive that she is glued to the canvas, and