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Today's Stichomancy for Mel Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Louis Lambert by Honore de Balzac:

overflow of ingenious affection, and I should not have a glance to bestow on her. It is my shame, Pauline, to have to tell you that at times I could weep with you, but that nothing could make me smile.

"A woman can always conceal her troubles; for her child, or for the man she loves, she can laugh in the midst of suffering. And could not I, for you, Pauline, imitate the exquisite reserve of a woman? Since yesterday I have doubted my own power. If I could displease you once, if I failed once to understand you, I dread lest I should often be carried out of our happy circle by my evil demon. Supposing I were to have many of those dreadful moods, or

Louis Lambert
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lady Susan by Jane Austen:

should not have espoused your cause as warmly as my brother?" "Indeed, I did not doubt your kindness," said she, colouring again, "but I thought Mr. De Courcy could do anything with my mother; but I was mistaken: they have had a dreadful quarrel about it, and he is going away. Mamma will never forgive me, and I shall be worse off than ever." "No, you shall not," I replied; "in such a point as this your mother's prohibition ought not to have prevented your speaking to me on the subject. She has no right to make you unhappy, and she shall NOT do it. Your applying, however, to Reginald can be productive only of good to all parties. I believe it is best as it is. Depend upon it that you shall not be made unhappy any longer." At that moment how great was my amonishment at seeing Reginald come out of Lady

Lady Susan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wrecker by Stevenson & Osbourne:

afterwards at the auction, frightened to death, and as much surprised at how the figures skipped up as anybody there? Well," said I, "there's the man I saw"--and I laid the sketch before him--"there's Trent of 'Frisco and there are his three hands. Find one of them in the photograph, and I'll be obliged."

Nares compared the two in silence. "Well," he said at last, "I call this rather a relief: seems to clear the horizon. We might have guessed at something of the kind from the double ration of chests that figured."

"Does it explain anything?" I asked.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Shakespeare's Sonnets by William Shakespeare:


Sin of self-love possesseth all mine eye And all my soul, and all my every part; And for this sin there is no remedy, It is so grounded inward in my heart. Methinks no face so gracious is as mine, No shape so true, no truth of such account; And for myself mine own worth do define, As I all other in all worths surmount. But when my glass shows me myself indeed Beated and chopp'd with tanned antiquity,