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Today's Stichomancy for Mike Myers

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Seraphita by Honore de Balzac:

"It cannot be that she knows nothing of science nor of art."

"Who should teach her?" said the pastor.

"But if she can discuss such matters pertinently, as she has often done with me, what do you make of it?"

"The girl may have acquired through years of silence the faculties enjoyed by Apollonius of Tyana and other pretended sorcerers burned by the Inquisition, which did not choose to admit the fact of second- sight."

"If she can speak Arabic, what would you say to that?"

"The history of medical science gives many authentic instances of girls who have spoken languages entirely unknown to them."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Woman and Labour by Olive Schreiner:

affairs, render our societies the most complex and probably the most mobile and unsettled which the world has ever seen. As the result of this rapidity of change and complexity, there must continually exist a large amount of disco-ordination, and consequently, of suffering.

In a stationary society where generation has succeeded generation for hundreds, or it may be for thousands, of years, with little or no change in the material conditions of life, the desires, institutions, and moral principles of men, their religious, political, domestic, and sexual institutions, have gradually shaped themselves in accordance with these conditions; and a certain harmony, and homogeneity, and tranquillity, pervades the society.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Bureaucracy by Honore de Balzac:

times a lost one. This appointment, we repeat, will be an act of justice and good policy; consequently we may be sure it will not be made."

On the morrow, Friday, the usual day for the dinner given by Madame Rabourdin, whom des Lupeaulx had left at midnight, radiant in beauty, on the staircase of the Bouffons, arm in arm with Madame de Camps (Madame Firmiani had lately married), the old roue awoke with his thoughts of vengeance calmed, or rather refreshed, and his mind full of a last glance exchanged with Celestine.

"I'll make sure of Rabourdin's support by forgiving him now,--I'll get even with him later. If he hasn't this place for the time being I

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

Here! You're mussing up the floor something awful, you." This last to the dead Wieroo as he stooped and dragged the corpse to the central shaft, where he raised it to the aperture and let it slip into the tube. Then he picked up the head and tossed it after the body. "Don't be so glum," he admonished the former as he carried it toward the well; "smile!"

"But how can he smile?" questioned the girl, a half-puzzled, half-frightened look upon her face. "He is dead."

"That's so," admitted Bradley, "and I suppose he does feel a bit cut up about it."

The girl shook her head and edged away from the man--toward the door.

Out of Time's Abyss